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Jazz Articles about Nate Wooley

5
Album Review

Nate Wooley/Hugo Antunes/Chris Corsano: Malus

Read "Malus" reviewed by John Sharpe


Named musician of the year in the El Intruso 2013 critics poll, trumpeter Nate Wooley looks to be on a roll. That's in spite, or perhaps that should be because, of being so hard to pin down. His output stretches from experimental solo works such as Trumpet/Amplifier (Smeraldina-Rima 2011) and The Almond (Pogus Productions, 2011), to his more tradition-orientated quintet on (Put Your) Hands Together (Clean Feed, 2011) and (Sit In) The Throne of Friendship (Clean Feed, 2013). Malus pitches ...

2
Album Review

Nate Wooley Sextet: (Sit in) The Throne of Friendship

Read "(Sit in) The Throne of Friendship" reviewed by Vincenzo Roggero


Si respira aria di festa in (Sit In) The Throne of Friendship ultima fatica discografica del trombettista e compositore Nate Wooley. Si avverte quella sensazione un po' démodé che solo il circo o il luna park sono in grado di offrire, tra momenti di eccitazione per le novità o per le mirabolanti avventure promesse, rassicuranti sensazioni dalle cose che non cambiano, profumi invitanti che sanno d'altri tempi. La strumentazione è insolita con quattro strumenti dai registri gravi-- ...

4
Album Review

Nate Wooley: Seven Storey Mountain III And IV

Read "Seven Storey Mountain III And IV" reviewed by Mark Corroto


Parts III and IV of a seven part cycle, trumpeter Nate Wooley's long form electro-acoustic work Seven Storey Mountain gains additional players and momentum with these two live performances. The music was originally commissioned for the Festival of New Trumpet Music, which has seen a shuffle in its performers, but the concept of muscle rapture endures in these sounds. Wooley, a central figure in the world of modern improvisation, has been heard in bands led by Anthony Braxton, ...

Album Review

Nate Wooley - C. Spencer Yeh - Audrey Chen - Todd Carter: NCAT

Read "NCAT" reviewed by AAJ Italy Staff


In una residenza creativa allo STEIM di Amsterdam si incontrano la tromba di Nate Wooley, il violino di C. Spencer Yeh e il violoncello di Audrey Chen: sono musicisti che praticano in modo coerente e convinto i linguaggi dell'improvvisazione, sia sul lato più prettamente jazzistico che su quello più legato alle avanguardie di matrice contemporanea. Non è quindi particolarmente sorprendente che i tre si muovano con disinvoltura tra bagliori bruitiste, tecniche non convenzionali, inquietanti relazioni tra le ombre stesse del ...

9
Album Review

Nate Wooley - Peter Evans - Jim Black - Paul Lytton: Trumpet and Drums: Live in Ljubljana

Read "Trumpet and Drums: Live in Ljubljana" reviewed by Glenn Astarita


Given the unorthodox instrumentation, there's a little more than meets the eyes and ears on this quartet effort recorded at a jazz festival in Ljubljana, Slovenia. Each musician is highly respected within the progressive and avant jazz communities. Yet the band doesn't bridge the playing field with tireless bashing and cacophonous exchanges, which are components that may seem inherent under the assumption that the unorthodox group format may be conducive to a free-form crash and burn contest. On the contrary, ...

2
Album Review

Nate Wooley Sextet: (Sit In) The Throne of Friendship

Read "(Sit In) The Throne of Friendship" reviewed by Troy Collins


Since arriving in New York City in 2001, Nate Wooley has established himself as one of the most inventive trumpet players of his generation. In addition to the admiration of his peers, including fellow trumpeters like Taylor Ho Bynum, Peter Evans and Kirk Knuffke, Wooley has earned the respect of esteemed scene veterans, such as Dave Douglas, who said “Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole."Wooley's ...

4
Album Review

Nate Wooley Sextet: (Sit In) The Throne Of Friendship

Read "(Sit In) The Throne Of Friendship" reviewed by Mark Corroto


Like today's NFL quarterbacks, trumpeters are required to be multidimensional. Modern players (in football) are required to pass, run, block and call audibles. Likewise, the jazz horn player can't just take a high glissando solo, bow, and collect a paycheck; he/she has to be able to shift between the jazz tradition, improvisation, classical music and outside free, all while carrying a suitcase packed with extended techniques.The new breed of trumpeters that boast all of these qualities includes Peter ...


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