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Karl Ackermann's Best Releases of 2016
by Karl Ackermann
2016 has proven that jazz and creative music in general, are healthier than ever. Artists like Steve Lehman, Nate Wooley and Vijay Iyer continue to push the envelope while those like Bob Gluck find ways to make the old, very new. This list is--for the most part--outside the mainstream because that is where artists risk the most to tell their stories; it is where many listeners go to be challenged. Nate Wooley Seven Storey Mountain V ...
Continue ReadingNate Wooley: Argonautica
by Troy Collins
Argonautica reveals a subtle new facet in Nate Wooley's eclectic discography. A celebrated leader of the new trumpet scene, Wooley has expanded the instrument's language by incorporating innovative extended techniques into his bold improvisations. Most of his work has fallen under the banner of lower-case improv, noise or advanced post-bop, but little of his prior output has found commonality within the realm of fusion--until now.Comprised of a single 43-minute composition, “Argonautica" is realized by a somewhat unconventional ensemble. ...
Continue ReadingNate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio
by John Sharpe
From the perspective of release dates Purple Patio can be seen as a follow up to Malus (NoBusiness Records, 2014) by the core trio of trumpeter Nate Wooley, Belgium-based Portuguese bassist Hugo Antunes and celebrated drummer Chris Corsano. But in actual fact the limited edition LP was recorded two weeks previously, presumably during the same tour. Where it differs is through the inclusion of two of the bassist's fellow countrymen in drummers in Jorge Queijo and Mario Costa. Unsurprisingly a ...
Continue ReadingNate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio
by Mark Corroto
If I had to do it all over again, I would not have judged Purple Patio as soon as I dropped the needle onto the LP. Yes, this is a vinyl-only release, and yes, it is only an edition of 300 copies. Instead, I should have listened to both sides all the way through. But that would have required getting up to turn over the disc. So, I just luxuriated in the first track of the first side. ...
Continue ReadingNate Wooley: Argonautica
by Karl Ackermann
Trumpeter Nate Wooley is among the most exploratory and esoteric players/composers in creative improvisation along with fellow trumpeter/cornetists Rob Mazurek and Peter Evans. Wooley's catalog ranges from the wildly free The Nows (Clean Feed Records, 2011), a quartet that included Ken Vandermark and Paul Lyton, to the Bojan Vuleti composed chamber work, Atemwende (Ignoring Gravity Music, 2013) with the Mivos String Quartet). But Wooley's real eclecticism has shone in his works as a leader--particularly in recent years--with the minimalist solo ...
Continue ReadingNate Wooley: Seven Storey Mountain V
by Karl Ackermann
Nate Wooley has a fairly traditional early background having played trumpet in his father's big band as a teenager. His departure from convention was quite radical as he went on to work with the likes of John Zorn, Anthony Braxton, Ken Vandermark and Evan Parker. Wooley is one of an innovative strain of trumpeters who view composing for their instrument as something more holistic to a given environment and period. Wooley's trumpet becomes the vessel of time, shape-shifting, mutating and ...
Continue ReadingNate Wooley Makes America Great Again
by Mark Corroto
In his excellent book of literary and cultural criticism, The Grey Album: On the Blackness of Blackness, Kevin Young describes the term Jazz as both a noun and a verb. He further explains that jazz from the time of its origins through, let's say the 1980s, was a word used to describe action. Such as the actions and creations of Armstrong, Ellington, Davis, and Coltrane. But when it ceased its movement it became a noun, or a word to identify ...
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