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Jazz Articles about Nate Wooley

16
Album Review

Nate Wooley: Seven Storey Mountain VI

Read "Seven Storey Mountain VI" reviewed by Karl Ackermann


From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and discord, taking the series to a new level. The sound that Wooley debuted in 2009 was compact in scale, with drummer Paul ...

5
Album Review

Nate Wooley: Seven Storey Mountain VI

Read "Seven Storey Mountain VI" reviewed by Troy Dostert


Long considered one of the most innovative and idiosyncratic trumpeters in the improvised music community, Nate Wooley has for many years astonished listeners with his formidable technique and broad-minded vision. Nowhere is this more evident than in his Seven Storey Mountain series, a sequence of recordings going back to 2007 that is now in its sixth iteration. With an ever-expanding cast of associates who share Wooley's iconoclasm, this is improvised music of a distinctive and ambitious character, determined to bridge ...

17
Album Review

Whit Dickey: Morph

Read "Morph" reviewed by Karl Ackermann


Two players on Morph, Matthew Shipp and Nate Wooley, hardly need an introduction to those who venture into free jazz or experimental waters. But the leader, free jazz drummer Whit Dickey, is more of an enigma. Though prolific, his credits are more often in a supporting role. Dickey has been working with Shipp for nearly four decades in David S. Ware's quartet, Shipp's trio and his own projects. The New York native has recorded with Rob Brown, Eri Yamamoto, Daniel ...

3
Album Review

Paul Lytton / Nate Wooley: Known/Unknown

Read "Known/Unknown" reviewed by Mark Corroto


The duo of Paul Lytton and Nate Wooley invites the listener to accompany them down the proverbial rabbit hole, entering a land similar to Lewis Carroll's Alice's Adventures in Wonderland. Like Alice's trip through the looking glass, reality (conventional music making) is subverted to produce a disorienting situation. Known/Unknown is the third release from the duo, with their previous efforts Untitled (Editions Brokenresearch, 2008) and Creak Above 33 (psi, 2010) notable additions to the Lytton & Wooley discography, which includes ...

19
Album Review

Nate Wooley: TTE001: Three Studies for Future Uncertainties

Read "TTE001: Three Studies for Future Uncertainties" reviewed by Karl Ackermann


Trumpeter/composer Nate Wooley has built a catalog of experimental music that has advanced in technique and vision over the past decade. Those years have been benchmarked by The Almond (Pogus Productions, 2011), a single solo track of overlaid trumpet loops that blurred perceptions with its subtle shape-shifting, and Argonautica (Firehouse 12 Records, 2016), a sextet project flooded with gauzy atmospherics and more potent interludes. More recently, Wooley released the four-disc box set The Complete Syllables Music (Self-Produced, 2017), an epic-sized ...

5
Album Review

Matthew Shipp - Nate Wooley: What If?

Read "What If?" reviewed by John Sharpe


What If? presents pianist Matthew Shipp and trumpeter Nate Wooley in their first appearance as a duo. Both possess illustrious back stories and, while Shipp's place as one of the pre-eminent piano stylists in contemporary jazz is assured—as much due to his staggeringly constant series of solo and trio dates as his tenure with the likes of saxophonists David S. Ware and Roscoe Mitchell—it's not too much of a stretch to make a similar claim for Wooley. They ...

2
Album Review

From Wolves to Whales: Strandwal

Read "Strandwal" reviewed by Giuseppe Segala


Il quartetto From Wolves to Whales, nome azzeccato per un significativo incontro di quattro personalità al vertice del jazz e dell'improvvisazione contemporanea, si era già proposto nel 2015 con il CD omonimo, dopo il rodaggio di tre concerti a Manhattan e a Brooklyn nel febbraio del 2014. Il sodalizio, imperniato sulla lunga frequentazione di Nate Wooley e Dave Rempis, aveva trovato nel prodigioso supporto di Pascal Niggenkemper e Chris Corsano l'ideale quadratura del gruppo. Se quella prima prova del quartetto ...


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