Jazz Articles about Nasheet Waits

Komeda Project: Requiem

by Budd Kopman
November 6, 2009

With the magnificent Requiem, pianist Andrzej Winnicki and saxophonist Krzysztof Medyna solidify and enhance their reputations as the prime promoters of the essential music of the Polish pianist and composer Krzysztof Komeda (1931-1969). Komeda is widely recognized as the founder of modern Polish, and in a wider sense, European modern jazz. That he worked in Poland under Communist oppression is important. At its heart, jazz refuses to be pigeonholed, and it both allows and demands that its practitioners be utterly ...

Komeda Project: Requiem

by Jakob Baekgaard
November 4, 2009

There's an awareness which is located deep within human nature that we're subject to both positive feelings as well as destructive impulses: Love and death, Eros and Thanatos, exist side by side. All great art is a mirror of the human condition and nobody understood better than the Polish composer and pianist Krzysztof Komeda that life as well as music is composed of light and darkness.

The dual nature of Komeda's music is captured perfectly in one of his masterpieces, ...

Jason Moran: Same Mother

by Mark Sabbatini
February 12, 2005

Jason Moran is among a handful of modern pianists whose work often demands a listen as soon as it's released, since most other players will be trying to imitate it tomorrow. He doesn't quite meet those expectations on Same Mother, an album heavy on blues and soundtrack elements that represents his sixth project as a leader. Partially this is his emphasis on a classic down-home Texas feel, but there's also a sense of a highly tuned engine coasting at a ...

Jason Moran: Same Mother

by John Kelman
February 11, 2005

Contrary to popular opinion, the blues transcends structured musical form. Rather, it is a feeling that imbues, a deep and dark sense of despair that pervades. Regardless of the context, there was always something distinctly blue about the way Miles Davis approached every phrase. Similarly, while his music in no way relates to conventional blues form, Polish trumpeter Tomasz Stanko's work has a certain melancholy that gives it a distinctly blue feeling. All that just goes to show that, contrary ...

Jason Moran: Same Mother

by Mark F. Turner
February 4, 2005

Jason Moran and his Bandwagon (bassist Tarus Mateen, drummer Nasheet Waits, and newcomer guitarist Marvin Sewell) speak the blues in fine jazz form on their new adventure, Same Mother. The title comes from a comment Moran's wife made in a discussion about tap dancer Savion Glover which states “...that jazz movement and blues movement in dance both came from the same mother."

Though progressive, Moran's playing has always been grounded in the fertile roots of both idioms. Always ripe with ...

Jason Moran: Same Mother

by AAJ Staff
February 2, 2005

Jazz and blues have the same mother. They were the first recorded music styles that allowed black people to fully express themselves. And therein lies the heart of Jason Moran's latest album. Same Mother is a re-examination of the blues, not so much of its formal or harmonic elements, but rather its emotional and aesthetic constituents. Moran, a Texan, says that this album represents “a really slow, deliberate, emotionally direct approach to things," a Texas approach.For Same Mother, ...

Jason Moran: Same Mother

by Jim Santella
January 25, 2005

Based on a film score that he wrote, Jason Moran introduces blues from the Deep South on Same Mother. The film, Five Short Breaths, depicts the raw outlook of life in a Mississippi prison during the 1940s. Thus, with his sixth Blue Note release, he's able to prove to the world once and for all that jazz and blues came “from the same mother."

The addition of guitarist Marvin Sewell to his stellar trio gives Moran's ensemble a ...