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Posi-Tone Swingtet: In Jazz We Trust
by Joshua Weiner
The Posi-Tone Records label, founded and run by producer Marc Free and engineer Nick O'Toole, celebrates its 30th anniversary in 2025. Given the many upheavals in the music business since 1995--the rise of file sharing, the introduction of iTunes, iPod, and iPhone, the decline of the compact disc concomitant with the rise of streaming services, the shrinking influence of major labels with the rise of self-released music, and the recent rediscovery of vinyl--the label is justly proud not only to ...
Continue ReadingPosi-Tone Swingtet: In Jazz We Trust
by Dan Bilawsky
In the mid-'90s, when Posi-Tone released its first album, the recording industry landscape was completely different than it is today. Small independent labels were not the norm, every artist did not have their own imprint and Napster had yet to arrive to kick off the access revolution. It was, quite simply, a different world--one where label co-founder Marc Free was poised and able to transform a dream into reality by shining a light on established players deserving a closer look ...
Continue ReadingNanami Haruta: The Vibe
by Dan McClenaghan
The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve Turre, Michael Dease. The door opened, and a slew of talent stepped across the threshold. This brings us to Nanami Haruta, who ...
Continue ReadingNanami Haruta: The Vibe
by Willard Jenkins
Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive--perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at this debut recording moment from Sapporo in the Hokkaido prefecture, the northernmost of Japan's main islands. Hokkaido is known for its volcanoes--perhaps explaining Nanami's ...
Continue ReadingMichael Dease: Found in Space: The Music of Gregg Hill
by Jack Bowers
Even though all but unsung outside his customary locale, Michigan-based composer Gregg Hill has drawn into his orbit a small but well-respected circle of jazz artists including bassist Rodney Whitaker, guitarist Randy Napoleon and trombonist Michael Dease, all of whom have recorded albums dedicated to Hill's diverse and sophisticated music. Found in Space is Dease's second homage to Hill, with a third one in the planning stages. Hill's compositions, which traverse the spectrum from straight-on jazz to ...
Continue ReadingMichael Dease, Jason Stein and Peter Brotzmann
by Jerome Wilson
This program features newer music from Michael Dease, Jason Stein, and Catherine Russell as well as older work from Peter Brotzmann, Jon Irabagon, and David Kikoski. I apologize for the hiccup in the second hour of the show when a CD stopped playing. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 David Kikoski “Blues For Us" from Combinations (Criss Cross) 00:52 ...
Continue ReadingMichael Dease: Found in Space: The Music of Gregg Hill
by Paul Rauch
Leaving a legacy in this life is a subject that holds different meanings for people. For some, it involves building a structure of permanence that will stand up to the test of time after one's entrance into eternity. For others, it is more fleeting, something that can be shaped and reshaped, and if desired, completely torn down. For some it is a function of building a monument to oneself. For others, like Central Michigan composer/arranger Gregg Hill, it is a ...
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