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Jazz Articles about Michael Dease
Michael Dease: City Life: Music of Gregg Hill
by Dan McClenaghan
Jazz trios featuring a horn, bass and drums get right to the core of musical expression. With, most commonly, a saxophone--see Sonny Rollins' blueprint for the horn and trio setting, the 1957 Contemporary Records album Way Out West--the music flows freely. The players do not need to chase chords around. The result is a stretching of the melodies with freewheeling rhythmic finesse. Trombone, bass and drums outings are rare, but Michael Dease goes for it on CD 1 ...
Continue ReadingNew Music from Dease, Woody, Bancroft, Sturino And More
by Bob Osborne
On this edition there is a selection of the best in new releases together with two outstanding albums from the recent re-release of the Strata East catalogue.Playlist Michael Dease “Catalyst" from City Life (Origin Records) 00:00 Brandon Woody “Beyond The Reach Of Our Eyes" from For The Love Of It All (Blue Note) 07:08 Eli Wallace, Pablo Vazquez, Marcelo Von Schultz “Volar. No Sos El Laberinto" from Siesta (577 Records) 14:16 Phil Bancroft “Testimony Part 5" from Testimony ...
Continue ReadingJordan VanHemert: Survival of the Fittest
by Gary Fukushima
For most of his life, Jordan VanHemert has been on a quest of growth and mastery as a saxophonist, composer and musician. But equally important have been his efforts to contextualize some of the difficulties of his life experiences within the deeper themes of his DNA, discovering in the process resilience, optimism and joy. Jordan's music is meant to convey empathy and solidarity to others who have also faced challenges in their lives. This album, Jordan's fifth as a leader, ...
Continue ReadingJordan VanHemert: Survival of the Fittest
by Jack Bowers
Although the title of saxophonist Jordan VanHemert's fifth album, Survival of the Fittest, may elicit images of a crash course in self-defense, that is not at all what he had in mind. The music is thematic, he says, and represents the twin lodestars of adversity and resilience. Even that, however, becomes largely irrelevant once VanHemert and his supporting cast launch what is at its heart a narrative of contemporary post-bop jazz. It is a cast that varies in ...
Continue ReadingPosi-Tone Swingtet: In Jazz We Trust
by Joshua Weiner
The Posi-Tone Records label, founded and run by producer Marc Free and engineer Nick O'Toole, celebrates its 30th anniversary in 2025. Given the many upheavals in the music business since 1995--the rise of file sharing, the introduction of iTunes, iPod, and iPhone, the decline of the compact disc concomitant with the rise of streaming services, the shrinking influence of major labels with the rise of self-released music, and the recent rediscovery of vinyl--the label is justly proud not only to ...
Continue ReadingPosi-Tone Swingtet: In Jazz We Trust
by Dan Bilawsky
In the mid-'90s, when Posi-Tone released its first album, the recording industry landscape was completely different than it is today. Small independent labels were not the norm, every artist did not have their own imprint and Napster had yet to arrive to kick off the access revolution. It was, quite simply, a different world--one where label co-founder Marc Free was poised and able to transform a dream into reality by shining a light on established players deserving a closer look ...
Continue ReadingNanami Haruta: The Vibe
by Dan McClenaghan
The news of a trombonist fronting a small jazz ensemble brings the name J.J. Johnson (1924-2001) to mind. He pioneered that form of jazz expression. Before he stepped onto the scene the big brass horn stayed mainly in the background, eclipsed by trumpets and saxophones. Many have followed in Johnson's footsteps: Curtis Fuller, Steve Turre, Michael Dease. The door opened, and a slew of talent stepped across the threshold. This brings us to Nanami Haruta, who ...
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