Jazz Articles about Michael Bates

Michael Bates: Clockwise

by Wilbur MacKenzie
October 12, 2008

On Sep. 17, 2008, bassist Michael Bates’ band Outside Sources took the stage for two sets at Cornelia Street Café to celebrate the release of Clockwise, proving itself to be a tight unit that reveled in richness, unpredictability, astounding technical ability and near-telepathic interaction. The press material surrounding the CD directly referz to pianoless quartets led by Ornette Coleman and Dave Douglas. The explosiveness of the improvisational explorations and the richness of the harmonies certainly make those comparisons ...

Michael Bates: Clockwise

by Troy Collins
September 9, 2008

Clockwise is the third offering from Canadian-born bassist Michael Bates' ensemble Outside Sources. Charting impressive compositional growth since his previous album, A Fine Balance (Between the Lines, 2004), this session finds the Brooklyn-based composer leading his quartet through a dynamically varied program. Fueled by youthful verve, he deftly combines adventurous post-bop structures with the advanced compositional strategies of classical chamber music.

Bates' current touring quartet features longstanding partner Canadian saxophonist Quinsin Nachoff and ubiquitous Downtown musicians Russ Johnson ...

Komeda Project: Crazy Girl

by Michael P. Gladstone
July 1, 2007

This album is a rather unusual one, dedicated to 1960s Polish film scorer Krzysztof Komeda, who wrote music for films of the young Roman Polanski and Andraej Wajda. Some of the music on Crazy Girl was used for Polanski's, Rosemary's Baby (1968). Polanski used Komeda's music in almost all of his own films dating back to 1957's Two Men and a Wardrobe, and for the next decade, and credits Komeda with having composed the only major European soundtrack hit of ...

Komeda Project: Crazy Girl

by C. Michael Bailey
June 21, 2007

In a too brief but productive life, Krzysztof Komeda (1931-1969) composed in excess of forty film scores. These film scores include such Polish cinematic gems as Roman Polanski's Knife in the Water and Andrzej Wajda's Innocent Sorcerers. Komeda's first score for the screen was Polanski's first film, Two Men and a Wardrobe (1958). In the same way that Sam Peckenpaw used the same actors for his films, so Polanski would do with Komeda in almost all of his films from ...

Komeda Project: Crazy Girl

by Alain Londes
June 16, 2007

The Komeda Project jazz quintet originated with Breakwater, the jazz group founded by pianist Andrzej Winnicki and saxophonist Krzysztof Medyna. Rounding out the group with Canadian bassist Michael Bates, drummer Dave Anthony and trumpeter/flugelhornist Russ Johnson, The Komeda Project pays homage to the great Krzysztof Komeda (1931-1969), one of the founders of modern Polish jazz. Komeda reached international audiences through scoring a number of movies for Roman Polanski and Andrzej Wajda.

Over half of Crazy Girl's selections are Komeda-penned, largely ...

Komeda Project: Crazy Girl

by Elliott Simon
June 11, 2007

The legacy of the great Polish jazz composer/pianist Krzysztof Komeda runs especially deep, while straddling the worlds of film music and modern jazz. While his life was sadly cut short in 1969 at the age of 38, his compositional output included more than sixty film scores and the influential European classic Astigmatic (Power Bros, 1966), with trumpeter Tomasz Stanko. Despite Hollywood credentials that boast the hit soundtrack for Roman Polanski's Rosemary's Baby, the Komeda Project's Crazy Girl reveals that Komeda ...

Komeda Project: Crazy Girl

by Budd Kopman
May 30, 2007

Crazy Girl by the Komeda Project, a quintet founded by pianist Andrzej Winnicki and saxophonist Krzysztof Medyna, is a very exciting project. It aims to bring the music of Krzysztof Komeda, its beauty, emotional intensity and logical yet dramatic structure, to a wider audience.

While the jazz ethos is universal, Komeda's music distills the essence of Poland and pours it into the jazz bottle. Widely acclaimed as one of the prime creators of modern Polish, if not European jazz, Komeda's ...