Jazz Articles about Matt Wilson

like 127

Ted Nash: Still Evolved

by Jack Bowers
September 25, 2003

While there's nothing that's less than respectable on Still Evolved, tenor saxophonist Ted Nash's third album as leader and first on Palmetto Records, I kept waiting for the session to catch fire. Despite the presence of two of Nash's well-known colleagues from the Lincoln Center Jazz Orchestra, trumpeters Wynton Marsalis and Marcus Printup, and a blue-chip rhythm section, it seldom does, even though, taken as a whole, the music is engaging and there are occasional intervals of inspired blowing.

Perhaps ...

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Ted Nash: Still Evolved

by Riel Lazarus
June 25, 2003

Multi-reedist Ted Nash is a man of many masks. Some days he poses as a featured soloist in the Lincoln Center Jazz Orchestra (LCJO) and others he spends as a scribe-in-residence for the Jazz Composers Collective (JCC). At times he wields a robust, full-bodied tenor, while at others he brandishes a fluttering clarinet. Whatever the case, this is one busy cat - and if his recent Palmetto debut is any indication, Nash should brace himself for even busier days ahead. ...

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The Matt Wilson Quartet: Humidity

by Jack Bowers
May 2, 2003

The bane of any reviewer: clearly well-played music that scarcely moves him an inch. I’m sorry, but I simply haven’t the mental capacity, musical acumen or whatever it takes to appreciate Humidity, drummer Matt Wilson's fifth album for Palmetto Records, even though Wilson and his companions are first-class players who are giving it everything they have.

I suppose I’m stuck in some sort of time warp, as today’s avant-garde jazz leaves me far more bewildered than gladdened. ...

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Matt Wilson Quartet: Humidity

by David A. Orthmann
April 2, 2003

An eclectic drummer, thinker, and bandleader, Matt Wilson shuns fixed stylistic boundaries. He’s endlessly curious and adventuresome, but invariably backs up imaginative leaps in conception and execution with solid musicianship and organizational skills. Humidity, Wilson’s fourth outing for Palmetto, finds his working quartet (plus violin, trumpet, and trombone on a few cuts) fully inhabiting every one of the twelve diverse tracks. The band invests both a continuous state of flux and sense of methodical development to the spacey, disjointed funk ...

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Matt Wilson: Beyond Category

by C. Andrew Hovan
March 27, 2003

The world thrives on order and the type of categorization that is as much a part of everyday life as breathing. Single or married, democrat or republican, each one of us can be pigeonholed into general and then more specific categories. Music is certainly no different, as anyone can tell you if they've found themselves in a store struggling to locate a disc of percussive beats from the Ghanawan musicians of Africa or of the klezmer strains of Mickey Katz. ...

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Matt Wilson: Humidity

by Riel Lazarus
March 11, 2003

When the Matt Wilson Quartet (MWQ) first formed in 1996, their goal was to establish a cohesive working unit that would eventually carve out a distinct musical identity. As many would readily attest, the MWQ have done just that - releasing a critically acclaimed CD (1999's Smile ), and establishing themselves as one of jazz music's most energetic live acts. Now, after a three-year recording sabbatical, the group reemerges with Humidity - a heat-soaked, brow-beaten affair that ...

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Matt Wilson Quartet: Humidity

by Jim Santella
March 1, 2003

Founded in 1996, the Matt Wilson Quartet took shape in order to explore new and interesting ways of expressing mainstream jazz. Without a piano or a guitar to provide obvious harmonic concepts, the band has to rely on its two saxophonists and bassist for overlaps that carry the mood. Consequently, the song list avoids too many choices from the common formula. Humidity includes two; the others are originals.

Jimmy McHugh’s “Don’t Blame Me” features alto and tenor circling ...