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Jazz Articles about Martin Fabricius

12
Album Review

Martin Fabricius Trio: Under The Same Sky

Read "Under The Same Sky" reviewed by Chris May


The vibraphone has come a long way—technically and aesthetically—since Lionel Hampton used it in a short, improvised introduction to Louis Armstrong's “Confessin,'" recorded with Les Hite's band in 1930. Back then, it was regarded primarily as a percussion instrument, and it is still categorized as tuned-percussion in the classical music world. Hampton was the first musician to give (almost) as much attention to harmony and melody as he did to rhythm when he was a featured soloist with the Benny ...

9
Album Review

Martin Fabricius Trio: Out of the White

Read "Out of the White" reviewed by Budd Kopman


The opening sounds of the title track of Out of the White herald that this is going to be something different. Electronic sounds begin the track, but closer listening reveals that these are being made ingeniously by Martin Fabricius' vibes. Bassist Christian Hougaard enters, stating the theme supported by the quasi-electronic vibe sounds. Fabricius takes over to recap the theme now as a recognizable vibraphonist. At the turnaround, Mathias Heise adds his harmonica to the mix, eventually with drummer Jacob ...


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