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Jazz Articles about Mark Turner

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Catching Up With

Mark Turner and Avishai Cohen: Harmony Without Chords

Read "Mark Turner and Avishai Cohen: Harmony Without Chords" reviewed by Marta Ramon


Saxophonist Mark Turner and trumpet player Avishai Cohen have been playing together since 2010. Both are accomplished jazzmen and representatives of the avant-garde scene. They shared a stage as part of the San Francisco Jazz Collective and also in Turner's quartet, including bassist Joe Martin and Marcus Gilmore on drums. After thirteen years, Turner finally launched an album as a leader, Lathe of Heaven (ECM, 2014). The pair visited Valencia, Spain and took time to speak with All ...

335
Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Tyran Grillo


It's fulfilling to hear an artist evolve. In this regard, Yelena Eckemoff has heeded callings definable only by the language of the spirit. The Russian-born pianist and composer comes from a rigorous classical background, and within those parameters has shaped a quiet yet assured corpus of jazz albums stretching back to 2006's The Call. Since then she has assembled numerous ad hoc bands, caressing ebonies and ivories alongside Arild Andersen, Marilyn Mazur, Peter Erskine, and many other established names in ...

8
Live Review

Mark Turner Quartet at The Wexner Center

Read "Mark Turner Quartet at The Wexner Center" reviewed by C. Andrew Hovan


Mark Turner Quartet Wexner Center for the Arts Columbus, Ohio September 26, 2014 Some 20 years ago, tenor saxophonist Mark Turner tipped the ears of more than a few critics with his debut release for the Dutch Criss Cross label, Yam Yam. He was rightly touted as an up and coming talent worthy of wider recognition. A distinguished set of further albums for Criss Cross and then Warner Bothers followed, although it seemed that Turner ...

34
Extended Analysis

Mark Turner: Lathe of Heaven

Read "Mark Turner: Lathe of Heaven" reviewed by John Kelman


Given that he's participated on no fewer than six recordings on ECM over the past six years-- two this year alone, with drummer Billy Hart's sophomore effort for the label, One is the Other (2014), and pianist Stefano Bollani's career-defining Joy In Spite Of Everything (2014)--it's no surprise to find Mark Turner finally getting his own date on the venerable German label. That Lathe of Heaven is the saxophonist's first recording under his own name alone since 2001's Dharma Days ...

75
Album Review

Mark Turner Quartet: Lathe of Heaven

Read "Lathe of Heaven" reviewed by Karl Ackermann


Saxophonist Mark Turner favors quality over quantity. Lathe of Heaven--his first outing as a leader since 2001--is his first on the ECM label. Turner has hardly been absent from the music scene as the intervening years have seen him as a sideman for guitarist Kurt Rosenwinkel and saxophonist David Binney among many others. He's gathered strong praise for his role on trumpeter Enrico Rava's fine New York Days (ECM, 2009) and as one-third of the trio Fly with drummer Jeff ...

373
Album Review

Yelena Eckemoff: A Touch of Radiance

Read "A Touch of Radiance" reviewed by Greg Simmons


Trained in an intensive ten-year classical piano program at Moscow's Gnessins School, and after quietly making records for over two decades, Russian native Yelena Eckemoff has been transitioning to a form of hybrid, classically informed improvisation with some exceptional results. 2010's Cold Sun, a trio featuring the exquisite drumming of Peter Erskine, was a tremendous musical statement for a leader making an early foray into improvisation and a record that is well worth seeking out to this day.

Album Review

Fly: Year of the Snake

Read "Year of the Snake" reviewed by AAJ Italy Staff


Esistono album che più di altri mettono in mostra un intenso campionario espressivo e, così facendo, concedono all'ascoltatore vari gradi semantici di lettura. È questo il caso di un disco caleidoscopico come Year of the Snake dei Fly (Mark Turner, Larry Grenadier e Jeff Ballard). Al suo interno troviamo da una parte un nucleo centrale originario, che esprime una musica libera da rigidi paradigmi espressivi, umorale e poco schematizzata, dai toni sommessi e meditativi, che non ha bisogno di ricorrere ...


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