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Jihye Lee: Daring Mind
by Angelo Leonardi
Solo un talento eccezionale come Jihye Lee poteva ottenere risultati così brillanti e personali nel campo dell'orchestrazione jazz partendo quasi da zero. Nata a Seoul ed emigrata negli Stati Uniti da adolescente, quando s'iscrisse al Berklee College conosceva pochissimo il linguaggio musicale afro-americano e per niente la sua dimensione orchestrale. Dopo un decennio, studi di perfezionamento alla Manhattan School of Music col grande Jim McNeely (a cui va riconosciuto parte del merito) e un primo eccellente debutto (April, 2017), la ...
Continue ReadingJihye Lee Orchestra: Daring Mind
by Mike Jurkovic
Listening to bandleader/composer Jihye Lee and her mic-drop orchestra is like watching your life flash before your eyes. You see it all: All the richness of spirit one can attain. All the sadness one can espouse. All the waltzing mischief to which one can aspire. Testing malleability at every turn, Lee's on to an eclectic something that doesn't pass through the torpor too often: A lucid, active imagination. Thus Daring Mind, Lee's Motema Music debut, co-produced by Darcy ...
Continue ReadingAnna Webber: Rectangles
by John Sharpe
Canadian saxophonist Anna Webber's quartet provides a second winning entry in Out Of Your Head Records' digital Untamed series, following Nick Dunston's Atlantic Extraction: Live At Threes (2020). Webber calls the band Rectangles after a composition inspired by a sequence of 10-second videos on the YouTube test channel Webdriver Torso which consist of a string of high pitches coupled with images of red and blue rectangles flashing across the screen. If that premise sounds unpromising, the execution is anything but. ...
Continue ReadingGabe Terracciano: In Flight
by Ian Patterson
Comes a time when every fledgling must leave the nest. Since making his recorded debut on Ron McClure's Crunchtime (Steeplechase Records, 2012), Portland-born, New York-based Gabe Terracciano has worked in everything from the riotous jazz-filtered bluegrass of the Harmolodic String Band and the groundbreaking chamber iconoclasts Turtle Island Quartet, to the Ghanaian National Symphony Orchestra. With In Flight Terracciano takes the leap with his debut as leader. Heading a line-up of some of New York's finest, Terracciano introduces six original ...
Continue ReadingCharles Pillow Ensemble: Chamber Jazz
by Jack Bowers
Chamber Jazz, alto saxophonist Charles Pillow's eighth recording as leader of his ensemble, is a generally sedate but remarkably engaging series of tone poems that combine contemporary jazz with elements of classical music to produce a hybrid that underlines what is most harmonious and charming in each genre. Chamber Jazz is what it says, and chamber jazz is what it is. For comparison's sake, think of the ensemble as the Modern Jazz Quartet times five. True, there is no John ...
Continue ReadingAlex Goodman: Impressions in Blue and Red
by Friedrich Kunzmann
One thing's for sure: there's a whole lot of music to be heard on Alex Goodman's new double album Impressions in Blue and Red. At 27 tracks and a running time of over 100 minutes, the Canadian jazz guitarist has taken a stand when it comes to quantity on his newest album. Any concern that the quality could suffer as a result is extinguished after the first few bars into the opener. Divided over two different sets according to the ...
Continue ReadingAlex Goodman: Impressions in Blue and Red
by Rob Shepherd
For most, there is a clear divide between musical and visual arts. But for individuals with chromesthesia, a condition where one sees colors when they hear a particular sound, the two can prove inseparable. Throughout history, many jazz musicians have exhibited chromesthesic symptoms, including Marian McPartland, James Francies, and drum legend Elvin Jones. Duke Ellington saw dark blue burlap when he played a D note and light blue satin for a G. Another, guitarist Alex Goodman, shares his experience on ...
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