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John Abercrombie: Open Land
![Read "Open Land" reviewed by Glenn Astarita](https://s3.amazonaws.com/allaboutjazz/old/styles/jabercrombie1999.jpg)
by Glenn Astarita
One of the true treasures of Modern Jazz, guitarist John Abercrombie’s impressive and somewhat legendary recorded legacy continues with Open Land. Here, Abercrombie expands his longtime “organ trio” group consisting of organist Dan Wall and drummer Adam Nussbaum while garnering the rather estimable support of special guests, saxophonist Joe Lovano, trumpeter Kenny Wheeler and violinist Mark Feldman.
On Open Land the great guitarist offers the listener a panoramic view via wide-open and expansive compositions that leave plenty of room for ...
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![Read "Open Land" reviewed by David Adler](https://s3.amazonaws.com/allaboutjazz/old/styles/jabercrombie1999.jpg)
by David Adler
John Abercrombie’s guitar tone has changed a lot over the years. I am particularly fond of his late 70s quartet with Richard Beirach, George Mraz, and Peter Donald. Back then his sound was extremely dark—nearly underwater in fact, with no treble to speak of. Lately it’s developed a lot more flesh and attack. On this new record, Open Land, he gravitates toward a nasal tone more along the lines of John Scofield. Spring Song," a haunting waltz, and Gimme Five," ...
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![Read "Open Land" reviewed by C. Andrew Hovan](https://s3.amazonaws.com/allaboutjazz/old/styles/jabercrombie1999.jpg)
by C. Andrew Hovan
Truth be told, John Abercrombie has always been one of the more neglected players of his generation. He's never done the more commercial types of things that have brought fellow guitarists like Pat Metheny a broader audience base, and yet the irony is that his adventurous style and sound was the forerunner of such current underground favorites as Kurt Rosenwinkel, Bill Frisell, and Ben Monder. Several years ago, however, he chose to work in the context of an organ trio. ...
read moreMark Feldman and Sylvie Courvoisier: Music for Piano and Violin
![Read "Music for Piano and Violin" reviewed by AAJ Staff](http://image.allmusic.com/00/amg/cov200/dri000/i036/i03615ngvou.jpg)
by AAJ Staff
One of the more promiscuous violinists on the scene today, Mark Feldman has always strived to combine the unusual with the familiar. He's come a long way from his roots as a Nashville studio musician, recording with country giants such as Willie Nelson and Johnny Cash, to his more recent forays on the New York avant-improv scene with neo-giants like John Zorn and Tim Berne. Feldman's new record, Music for Piano and Violin, represents a logical progression from his 1995 ...
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