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Jazz Articles about Mark Feldman

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Album Review

Mark Feldman's Level 5: The Sybil EP

Read "The Sybil EP" reviewed by Doug Collette


Jazz-rock fusion may have peaked in popularity back in the 1970s, but it has remained an integral sub-set of jazz ever since. That said, those traits that undermined its force back then--fake funk and over-emphasis on technique--have remained so pervasive within the hybrid that truly distinctive entries in the genre are few and far between. The Sybil EP by Mark Feldman's Level 5, however, is one of those rare and welcome exceptions. Guitarist Oz Noy composed each of ...

37
Album Review

Yelena Eckemoff Quartet: Leaving Everything Behind

Read "Leaving Everything Behind" reviewed by Neri Pollastri


Continua a mostrare gusto, classe e capacità di scegliersi i compagni di avventura l'eclettica pianista russo-americana Yelena Eckemoff, la quale dopo album con partner nordeuropei -Glass Songs, in trio, e Everblue, in quartetto -realizza adesso questo lavoro con musicisti statunitensi. Rispetto al precedente CD cambia drasticamente anche il primo strumento solista -là il sassofono di Tore Brunborg -qua il violino di Mark Feldman. Alla ritmica, per non far rimpiangere Arild Andersen e Jon Christensen, troviamo uno storico protagonista ...

214
Album Review

Yelena Eckemoff Quartet: Leaving Everything Behind

Read "Leaving Everything Behind" reviewed by Mark Sullivan


Pianist/composer Yelena Eckemoff has restlessly explored a new theme with each new album, with a shifting group of musicians. The central event behind the album title Leaving Everything Behind was her departure from the Soviet Union in 1991. She and her husband came to the United States to start a new life, having literally left everything behind--even their children, left indefinitely with Eckemoff's parents until the couple could get established. To explore this theme she returned to older original material, ...

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Album Review

Yelena Eckemoff Quartet: Leaving Everything Behind

Read "Leaving Everything Behind" reviewed by Dave Wayne


With all of the worldwide hue and cry concerning immigration, precious little is said about the lives of immigrants themselves, the sacrifices they've made and the risks they've taken in order to start their lives anew; free of whatever hardships and oppression they endured in their native country. In the news, entire lives are boiled down to reports of another capsized boat in the Mediterranean, or another truckload of hopeful souls stopped at the border. Even those who immigrate legally ...

Album Review

Sylvie Courvoisier - Mark Feldman: Live at Theatre Vidy-Lausanne

Read "Live at Theatre Vidy-Lausanne" reviewed by AAJ Italy Staff


Oggi, su questo pianeta, ci sono pochissimi altri duo pianoforte-violino che abbiano l'incredibile intensità, vibrante energia, identica immaginazione creativa, toccante lirismo e capacità di quello formato da Sylvie Courvoisier e Mark Feldman. Di per sé, al di fuori delle classiche ambientazioni proposte dalla musica “seria" (come qualche signorotto da conservatorio continua a voler distinguere), il duo pianoforte-violino non è figurazione facile. Molte volte - anche jazzisticamente parlando - non si tratta “solo" di interplay, bensì di indescrivibile magmatico movimento in ...

1,059
Interview

Mark Feldman: Taking an Eclectic Path

Read "Mark Feldman: Taking an Eclectic Path" reviewed by Sean Patrick Fitzell


Violinist Mark Feldman started out in Chicago playing classical music and bar gigs before moving on to the Nashville scene. He emerged in New York's “downtown" circle with the likes of Arcado String Trio, trumpeter Dave Douglas, and composer-saxophonist John Zorn. His expressive, classically tinged technique was also sought for studio work with pop acts and film scores. For the last 10 years, he's been integral to guitarist John Abercrombie's quartet and has recorded several discs as a leader. Feldman ...

327
Album Review

Mark Feldman / Uri Caine / Greg Cohen / Joey Baron: Secrets

Read "Secrets" reviewed by Warren Allen


Mark Feldman, Uri Caine, Greg Cohen and Joey Baron have all played integral parts in John Zorn's many explorations of Jewish improvised music. All four have won acclaim for the distinctness and flexibility of their sounds, but here they work in a setting that defines the meaning of traditional.

With a group such as this, it would be impossible to explore any theme, new or old, without bringing flares of insight. Secrets finds them interpreting a variety of niggunim, the ...


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