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Jeremy Monteiro, Jay Anderson, Lewis Nash: Live At No Black Tie
by Ian Patterson
Forty-five albums in as many years represents remarkable consistency from pianist Jeremy Monteiro—Singapore's King of Swing. It is worth recounting that Monteiro has played with the likes of Charlie Haden, Benny Golson, Toots Thielemans, Cassandra Wilson, both Michael Brecker and Randy Brecker, James Moody, Eldee Young and, for over thirty years, with Ernie Watts. Oh yes, Monteiro can swing alright, as this live recording in the stellar company of Jay Anderson and Lewis Nash amply demonstrates. Recorded in ...
Continue ReadingEthan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century
by Angelo Leonardi
Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha curato una celebrazione di Thelonious Monk alla Duke University e scritto la colonna sonora per Pepperland, l'opera sui Beatles del coreografo Mark Morris.
Continue ReadingJimmy Heath: Love Letter
by Thomas Fletcher
Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A fabled musician to many tenor players, Heath presents us with his final testament, a collection of formative ballads. Enhancing the already prolific ...
Continue ReadingJimmy Heath: Love Letter
by Chris May
Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and audience. Soulful and luminous, it is everything one could hope for in the last will and testament of a jazz master. ...
Continue ReadingJohn DiMartino: Passion Flower: The Music of Billy Strayhorn
by Dr. Judith Schlesinger
Pianist/composer/arranger/producer John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts which also enhance any instrumentalist he accompanies or arranges. All of these talents inform DiMartino's splendid Billy Strayhorn tribute, Passion Flower, where he is joined by his ever-superb colleagues: Eric Alexander on tenor saxophone, drummer Lewis Nash and bassist Boris Kozlov. The wonderful vocalist Raul Midon sings ...
Continue ReadingJohn di Martino: Passion Flower: The Music of Billy Strayhorn
by Jack Bowers
Composer / arranger Billy Strayhorn was barely twenty-three years old when he first met bandleader Duke Ellington, an encounter that would lead to a collaboration that lasted more than half of Strayhorn's life. During that time, Strayhorn wrote some of the Ellington orchestra's most acclaimed and enduring songs including “Lotus Blossom," “Chelsea Bridge," “Isfahan" and, most notably, the jazz classic “Take the 'A' Train," as well as others for which Ellington claimed partial credit ("Daydream," “Something to Live For") and ...
Continue ReadingJohn Di Martino: Passion Flower: The Music of Billy Strayhorn
by Dan Bilawsky
When esophageal cancer took Billy Strayhorn's life in 1967, his work and legacy rested squarely in the shadow of Duke Ellington's world. More than half a century later, though the two figures remain inextricably linked, Strayhorn's genius has moved past the penumbra of his legendary collaborator and employer, occupying its own clear place in the jazz firmament. Through biography and documentary film, his own lush life has been illuminated. And of equal importance, Strayhorn's compositions continue to bloom in others' ...
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