Jazz Articles about Larry Goldings

About Larry Goldings

Album Review

If you expected a trumpeter whose nickname is “Scrapper" to come out swinging on his first album as leader in twenty years, give yourself a gold star and a hearty pat on the back. That is precisely the modus operandi on The Scrapper, wherein New York-based John Sneider leads a first-rate quintet through its paces on what in many respects seems like a homecoming, as everyone save tenor saxophonist Joel Frahm was present and accounted for on Sneider's earlier recording ...

Album Review

Larry Goldings / Peter Bernstein / Bill Stewart: Toy Tunes

Read "Toy Tunes" reviewed by Dan Bilawsky

by Dan Bilawsky
June 16, 2018

Just look at the cover art--the swirl of colors, the bodies drawn to the eye as misshapen designs, the beauteous blotches, the sturdy rhythms of angularity. In some ways it's almost inconceivable to imagine all of that acting as one, yet these images form a perfectly perceivable whole--a picture that feels like home yet sits in its own space, artfully different yet accessible and inviting. It's a perfect parallel for the work of these three master musicians, collectively viewed as ...

Radio & Podcasts

Larry Goldings, Peter Bernstein, Bill Stewart Live @ BIMHUIS

by BIMHUIS
June 4, 2018

For the second installment of BIMHUIS Radio on All About Jazz we present the full recording of the recent concert by Larry Goldings, Peter Bernstein & Bill Stewart held at BIMHUIS, in Amsterdam, on 31 May 2018. You'll hear a brilliant melting pot of groove, melody and swing by three phenomenal jazz heavyweights on Hammond organ, electric guitar and drums who have been playing as a trio for 30 years. Happy listening!

What is Jazz?

Jazz, Suffering, and Meaning

by Douglas Groothuis
November 23, 2017

“Primary progressive aphasia" was a disease I had not heard until March of 2014. Now it is darkly stained into my life, since it is the form of dementia that afflicts my wife, Rebecca Merrill Groothuis. As Rebecca and I walk down this road, we are not alone. We have our church, our friends, and our God to walk with us and help carry our load. One of God's gifts to me is jazz, which helps me stumble on without ...

Album Review

Larry Goldings/Peter Bernstein/Bill Stewart: Ramshackle Serenade

Read "Ramshackle Serenade" reviewed by Dan Bilawsky

by Dan Bilawsky
June 16, 2014

Few artistic partnerships are as delightfully durable as the trio of organist Larry Goldings, guitarist Peter Bernstein, and drummer Bill Stewart. These men have often recorded under the moniker of the “Larry Goldings Trio" over the past two-plus decades, but this has never been a band to favor one player over another. Each man has always owned equal shares in this group--demonstrated on strong showings like The Intimacy Of The Blues (Verve, 1991), Moonbird (Palmetto, 1999), and Sweet Science (Palmetto, ...

Album Review

Dewa Budjana: Joged Kahyangan

Read "Joged Kahyangan" reviewed by Ian Patterson

by Ian Patterson
February 22, 2014

A million-selling artist in Indonesia with pop-rock band Gigi, guitarist Dewa Budjana's solo projects informed by progressive rock, Indonesian folk and jazz fusion reveal a greater spirit of adventure. Budjana's second release of 2013 on the MoonJune label following Dawai in Paradise is similarly melodic, though differs significantly. Firstly, the word-fusion-meets-prog rock of Dawai in Paradise gives way to a more overtly contemporary jazz approach on Joged Kahyangan. Secondly, whereas the earlier release featured predominantly Indonesian musicians, Budjana harnesses heavyweight ...

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Album Review

John Scofield: A Moment's Peace

Read "A Moment's Peace" reviewed by John Kelman

by John Kelman
September 26, 2011

In a career just entering its fifth decade, John Scofield may have covered a lot of stylistic territory—from the burning modality of Rough House (Enja, 1978), funkified fusion of Blue Matter (Gramavision, 1987) and N'awlins leanings of Piety Street (EmArcy, 2009), to jamband workouts like A Go Go (Verve, 1998), burning modern mainstream on Time On My Hands (Blue Note, 1990) and the contemporary classicized Scorched (Deutsche Grammophon, 2004)—but if a single word had to be chosen to describe the ...