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Jazz Articles about Larry Carlton

354
Album Review

Larry Carlton: Fire Wire

Read "Fire Wire" reviewed by John Kelman


If veteran session guitarist Larry Carlton's Sapphire Blue (Bluebird, 2004) was a first shot at the bow of those who'd written him off as too smooth, Fire Wire is a veritable volley. Sapphire Blue found Carlton in a more energetic, blues-based context, but his trademark singing tone still spoke the language of jazz. Leaving all such references behind, Fire Wire is more rock instrumental than jazz fusion--and the rawest album he's made in his forty-year career.

The laid-back minor blues ...

166
Album Review

Larry Carlton: Fire Wire

Read "Fire Wire" reviewed by Sarah Moore


Steely Dan session musician and former Crusaders member Larry Carlton brings another dose of fusion with his latest release, Fire Wire. The followup to his 2004 album Sapphire Blue includes a horn section named after that CD. The disc begins with an upbeat, hard edge that takes you worlds away from the smooth, complacent jazz guitar sound you might have expected from earlier recordings. With a style evoking Stevie Ray Vaughan's blues in “Double Cross, Carlton breaks free from the ...

281
Album Review

Various artists: A Jazz Portrait Of Brian Wilson - Wouldn't It Be Nice

Read "A Jazz Portrait Of Brian Wilson - Wouldn't It Be Nice" reviewed by Mark Sabbatini


This is definitely no day at the beach. Whether that's good or bad is highly subjective for A Jazz Portrait Of Brian Wilson, a 17-song tribute by contemporary artists such as Don Grusin, the Clark Burroughs Group and The Yellowjackets. Originally a 1997 Blue Note release, it was remastered and rereleased by IN2N Entertainment in 2004. Those not expecting instrumentals close in form to the Beach Boys leader will hear interesting ideas at work. But there's no question ...

276
Album Review

Larry Carlton: Sapphire Blue

Read "Sapphire Blue" reviewed by John Kelman


Yet another artist finds himself on a new label and the experience refreshes and reinvigorates. Earlier this year it was Mike Stern and late last year it was Terence Blanchard; in the case of guitarist Larry Carlton, he has signed with one of the few remaining majors that is not afraid to let its artists have full creative control. Bluebird/BMG is, of course, the label that has given Dave Douglas complete artistic latitude and now, with Sapphire Blue, Carlton, while ...

300
Album Review

Larry Carlton: Sapphire Blue

Read "Sapphire Blue" reviewed by Michael P. Gladstone


Fans of veteran guitarist Larry Carlton will be interested in his latest career move. Carlton's multifaceted guitar work has been evident after decades of sterling studio work in Los Angeles as well as many solo recordings which go back as far as 1968. He has been the guitarist of choice for many pop and rock performers including the Steely Dan group in the late 1970s. Recording and touring with the Crusaders during the early 1970s, he developed the famous blues ...

332
Live Review

They Came to Play - Larry Carlton & The Sapphire Blues Band

Read "They Came to Play - Larry Carlton & The Sapphire Blues Band" reviewed by AAJ Staff


Larry Carlton & The Sapphire Blues Band The Iridium, New York City December 4, 2003

They came to play. The U.S. debut of Larry Carlton & The Sapphire Blues Band was spectacular. The horn section alone blew the doors off of New York City's popular jazz club, The Iridium, located at 51st & Broadway.

My brother Addison (an alto player) and I snuck in just in time as Troy at the door escorted us to a ...

154
Album Review

Larry Carlton and Steve Lukather: No Substitutions - Live in Osaka

Read "No Substitutions - Live in Osaka" reviewed by Scott Andrews


Longtime L.A. studio guitarists and friends Larry Carlton and Steve Lukather lead a quintet rounded out with keyboards, bass, and drums on five instrumental tracks recorded live in Osaka, Japan.

No Substitutions opens with the Jeff Beck tune “The Pump," featuring repeated guitar solos over a long, static bass groove of steady eighth notes. After a blissfully contrasting quiet middle section, the song plods on to its total length of over 14 minutes. The next track, a 12:8 shuffle called ...


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