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JoAnne Brackeen: Pink Elephant Magic
by Jim Santella
From the march tempo and hard bop power of “Pink Elephant Magic" to the drifting ballad waltz time of “Filene’s," JoAnne Brackeen’s latest album covers a lot of territory. The pianist’s seven compositions, coupled with three familiar pieces, provide variety and result in a well-rounded set. Bret Primack’s informative liner notes are available on the ‘net at http://www.arkadiarecords.com . Brackeen has a forceful keyboard style that drives her ensemble with percussive power. Her thirty-year career includes experience with Art Blakey, ...
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by Bob Margolis
A Master pianist other than a Flanagan, or a Peterson, is faced with the daunting task of recording something that separates them but allows for their brilliance to shine through. The subject of this piece has consistently been able to do this, primarily using vehicles other than the trio or solo format. Putting together perhaps her finest band since the late 1980's quartet featuring Billy Hart, Cecil McBee and Gary Bartz, pianist and composer Joanne Brackeen has just put out ...
Continue ReadingJohn Patitucci: Now
by Douglas Payne
Bassist John Patitucci ascended to deserved prominence as a significant catalyst in Chick Corea's Elektrik/Akoustic bands (1986-93). But despite consistently excellent work elsewhere since then, Patitucci's solo career (which began with his eponymous 1987 debut on GRP) has not yet produced much that's memorable - until Now. Here, the bassist shares a perfect telepathy with his rhythm section, featuring drummer Bill Stewart and the instantly identifiable and dominant presence of guitarist John Scofield. Chris Potter and the surprisingly understated Mike ...
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by John Sharpe
Because John Patitucci's last CD (One More Angel) was such a maudlin snooze-fest, I approached Now with a certain amount of trepidation. My fears where unfounded. Now possesses everything One More Angel lacked----high energy, a variety of moods and tons of hot licks. The musical sparks come courtesy of jazz's most exciting guitarist, John Scofield, the bullwhip snap of Bill Stewart's drums and the scorching tenors of Michael Brecker and Chris Potter. Although bassist Patitucci, who spent ten years with ...
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by Jack Bowers
Bassist Patitucci's third release for Concord Jazz is essentially a quartet date with tenors Chris Potter (five tracks) and Michael Brecker (two) augmenting the rhythm section. The horns take a break on the last three tracks, McCoy Tyner's “Search for Peace" (a trio), Trane's “Giant Steps" (Patitucci, Stewart) and Patitucci alone on his own composition, “Miya." Patitucci, a proud parent, dedicated the album to his then two-month-old daughter, Sachi Grace, as several of the titles would indicate - “Grace," “Out ...
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by Jim Santella
Now is a session of creative modern mainstream jazz from a quartet of John Patitucci – who employs the acoustic stand-up bass on seven of the ten tracks – guitarist John Scofield, tenor saxophonist Chris Potter, and drummer Bill Stewart. Michael Brecker substitutes on two tracks, while three numbers are performed without either saxophonist. Associations with both Chick Corea's Elektric and Akoustic Bands, eight recordings as leader, and “sideman" support with a cast that includes Lee Ritenour, Dave Grusin, Hubert ...
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