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About John Patitucci

163

Album Review

Mike Holober: Wish List

Read "Wish List" reviewed by Michael P. Gladstone


Wish List is pianist/composer/bandleader Mike Holober's third album, in addition to appearances in the piano chair for the Pete McGuiness Jazz Orchestra, the Jason Rigby Quartet, the Pete McCann Quintet and the Anita Brown Jazz Orchestra. Holober is a New York-based pianist who previously had worked with Nick Brignola's group and whose style has been influenced by such modal pianists as Bill Evans and Herbie Hancock.His first album, Canyon (Sons of Sound, 2003), was produced by another modal ...

320

Album Review

Mike Holober: Wish List

Read "Wish List" reviewed by David Miller


The great thing about jazz is that you may think you know a lot about a lot, but in reality you don't know jack. It seems every time I pop in a new record, I learn about a new artist I've never heard before. In listening to Mike Holober's Wish List, I was lucky enough to learn about three: Holober, Tim Ries, and Wolfgang Muthspiel. Wish List is simple enough. It's a straight-ahead recording, with a track ...

306

Album Review

John Patitucci: Line by Line

Read "Line by Line" reviewed by J Hunter


After the brilliant chaos of the Wayne Shorter quartet, it's entirely understandable that John Patitucci would want to try something a little more sedate. Line by Line gives the versatile bassist a chance to go places we might not expect. The trip is interesting, though the destinations sometimes are not.

Patitucci is all over the board, both instrumentally and stylistically. Writing the lion's share of the tunes, he alternates between double-bass and six-string electric, playing both in a ...

208

Album Review

John Patitucci: Line by Line

Read "Line by Line" reviewed by Jim Santella


With guitarist Adam Rogers and drummer Brian Blade, John Patitucci explores jazz's modern mainstream on this program of original compositions that comes complemented by several timeless pieces from the larger pantheon. They're joined with saxophonist Chris Potter for a part of the program, while Patitucci works with a small string ensemble on two other selections. He performs both on his contemporary 6-string electric bass character and a traditional acoustic model. Each has its particular function.

Rogers and Potter ...

349

Album Review

Pat Martino: Remember: A Tribute To Wes Montgomery

Read "Remember: A Tribute To Wes Montgomery" reviewed by Russ Musto


The tribute album allows an artist to document his indebtedness to another's influence on his own style with a more fully formed personal approach and individual voice. It shines a spotlight on the honoree's body of work in a way that no single record in that artist's discography did during his lifetime. And it introduces a new generation to the efforts of a player from a previous era. This album achieves success on these planes in a way that few ...

1

Album Review

Steve Khan Trio: The Green Field

Read "The Green Field" reviewed by AAJ Italy Staff


Dopo nove anni, Steve Khan ripropone la formula del trio e richiama in formazione John Patitucci e Jack DeJohnette. The Green Field, più che degno successore di Got My Mental, vede anche una sezione ritmica latin con la presenza di un trio di percussionisti di tutto rispetto (Ralph Irizarry, Roberto Quintero e Manolo Badrena). Così, attraverso la riproposizione di un repertorio di rilievo - il chitarrista spazia tra le brillanti interpretazioni di “Congeniality" di Ornette Coleman e “Riot" di Harbie ...

334

Album Review

Pat Martino: Remember: A Tribute to Wes Montgomery

Read "Remember: A Tribute to Wes Montgomery" reviewed by Nic Jones


Make no mistake--this is a tribute not only to Wes Montgomery, but also the resilience of human creativity. While this might smack of hyperbole, it should be remembered that Martino completely forgot how to play the guitar some 26 years ago as a result of brain surgery, and if diligence and application can supply the kind of results heard here, then any suggestion of hyperbole is surely questionable.

To hear a musician as in touch with his or her instrument ...


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