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About John Ellis

5

Album Review

Reggie Quinerly: New York Nowhere

Read "New York Nowhere" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Born in Houston, drummer Reggie Quinerly attended his hometown's famous High School of the Performing and Visual Arts. He then moved on to study under such masters as Jimmy Cobb, Lewis Nash, and Kenny Washington in the Masters in Jazz Studies program at Juilliard, and released his debut recording, Music Inspired by Freedmantown (Self Produced, 2012) soon after graduating. Quinerly composed New York Nowhere, his fourth release as a leader, as his farewell to the city he called ...

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Album Review

Jon Gordon: Stranger Than Fiction

Read "Stranger Than Fiction" reviewed by Angelo Leonardi

by Angelo Leonardi

Più noto come eccellente sax contralto e leader di un apprezzato quartetto, Jon Gordon torna a incidere un disco orchestrale per la ArtistShare, dopo l'album Evolution del lontano 2009. Registrato nel mezzo della pandemia, con tutte le difficoltà e restrizioni che sappiamo, il nuovo lavoro rinnova la collaborazione col trombonista e arrangiatore Alan Ferber che partecipa al progetto nel triplice ruolo di co-produttore, arrangiatore di un brano ("Havens") e solista di trombone. Il medio organico include anche il clarinetto basso ...

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7

Album Review

Jon Gordon: Stranger Than Fiction

Read "Stranger Than Fiction" reviewed by Hrayr Attarian

by Hrayr Attarian

Saxophonist Jon Gordon's superb 13th release as a leader, Stranger Than Fiction, consists of 10 cinematic and captivating originals. Gordon leads a large ensemble of mostly Canadian musicians through his vibrantly textured compositions. The focus is more on dynamic interplay of different band members and orchestral segments than on individual expressions. There are, however, brilliantly virtuosic soloists who seamlessly emerge out of these vividly ebullient works making them even more electrifyingly alive. Opening with delightfully dissonant staccato woodwinds ...

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12

Album Review

Jon Gordon: Stranger Than Fiction

Read "Stranger Than Fiction" reviewed by Jack Bowers

by Jack Bowers

New York-bred alto saxophonist Jon Gordon has come a long way since he was hailed as something of a prodigy in the mid-1980s and earned first place in the Thelonious Monk International Jazz Saxophone Competition in 1996. The music performed by Gordon's nonet on Stranger Than Fiction, we are told, “reflects [his] realization that reality takes twists and turns [that are] far more unpredictable than any author would dare write." There are indeed many twists and turns—most ...

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8

Album Review

Dr. Lonnie Smith: Breathe

Read "Breathe" reviewed by La-Faithia White

by La-Faithia White

Dr. Lonnie Smith, guru of the Hammond B3 organ for over five decades, now releases eight songs, six of which were recorded live in 2017 at The Jazz Standard in New York City, during his seventy-fifth birthday. In December 2020, The Jazz Standard closed because of the effects of the Coronavirus pandemic which has taken the lives of many jazz clubs throughout the USA. The opening song, “Why Can't We Live Together," is a remake of the 1972 ...

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2

Album Review

Dr. Lonnie Smith: Breathe

Read "Breathe" reviewed by Angelo Leonardi

by Angelo Leonardi

Nel nuovo album di Dr.Lonnie Smith, appena uscito per la Blue Note, non c'è solo il traboccante groove del suo trio. Per il 75mo compleanno dell'organista Hammond, il produttore Don Was ha fatto le cose in grande, pubblicando la registrazione di una una serata allo Jazz Standard (a New York nel 2017) con un organico strumentale con nomi illustri, come il trombonista Robin Eubanks e la cantante Alicia Olatuja. Piuttosto insolita, ma riuscitissima, risulta poi la collaborazione ripresa in studio ...

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9

Album Review

Anne Mette Iversen Quartet + 1: Racing a Butterfly

Read "Racing a Butterfly" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

A working collective since 2002, Anne Mette Iversen's quartet—saxophonist John Ellis, pianist Danny Grissett, drummer Otis Brown III and Iversen herself on bass—has developed a unique musical language, which transcends typical stigmas of the genre and demonstrates a special sense of light-footedness in navigating through the different bars and meters, all the while evading the self-indulgent. Augmented to a quintet with the addition of trombonist Peter Dahlgren, Racing A Butterfly sees Iverson building on concepts introduced on past outings Milo ...

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