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Archie Shepp: Fire Music To Mama Too Tight Revisited
by Chris May
In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and changes-based or modal-based musicians either. They should try telling that to Archie Shepp. In autumn 1966, during the Miles Davis quintet's ...
read moreThe return of Joe Chambers and more
by Bob Osborne
Great new albums on this edition with Joe Chambers back at Blue Note and in fine form. There is also the progressive jazz of Francesca Remigi, new sounds from Diego Rivera on Posi-tone, Lisa Hilton with a stunning trio, cutting edge music from Argentina courtesy of Nacho Szulga, and, the sophomore outing on ECM from Shai Maestro. Playlist Joe Chambers “Samba De Maracatu" from Samba De Maracatu (Blue Note) 00:00 Francesca Remigi Archipélagos “The Shooting" from Il Labirinto ...
read moreJoe Chambers: Samba De Maracatu
by Angelo Leonardi
Batterista leggendario, compartecipe di grandi pagine del bop avanzato degli anni sessanta settanta, con Wayne Shorter, Andrew Hill, Bobby Hutcherson, Joe Henderson e decine di altri, il batterista Joe Chambers torna in casa Blue Note dopo un'assenza più che ventennale. Nella storica etichetta fondata da Alfred Lion, Chambers era soprattutto un sideman e l'unico album da leader l'ha inciso nel 1998 (Mirrors) in un frizzante gruppo con Mulgrew Miller, Vincent Herring e altri. Qui era lecito attendersi ...
read moreJoe Chambers: Samba De Maracatu
by Chris May
Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist Bobby Hutcherson and pianists McCoy Tyner and Andrew Hill, among others. From 1970, with the decline of Blue Note, Chambers led a peripatetic existence ...
read moreHeiner Stadler: Brains on Fire
by AAJ Italy Staff
Heiner Stadler è nome pressoché sconosciuto se non agli addetti ai lavori o a qualche curioso appassionato jazzofilo. Nasce nel 1942 a Lessen in Polonia, cresce ad Amburgo dove studia pianoforte, armonia e composizione al conservatorio, per poi trasferirsi nel 1965 a New York. Qui intesse una serie di relazioni con importanti musicisti dal background assai variegato (si va sa Benny Golson a Barre Phillips, da Joe Chambers a John Gilmore e Joe Farrell, da Dee Dee Bridgewater a Thad ...
read moreHeiner Stadler: Brains on Fire
by Hrayr Attarian
Heiner StadlerBrains on FireLabor Records2012One of the most exciting reissues of the first quarter of 2012 is composer and pianist Heiner Stadler's pioneering Brains on Fire, originally released in 1973. The two-CD reissue adds three lengthy, previously unreleased tracks and informative and well-researched liner notes by critic Howard Mandel. Interestingly, Stadler occupies the piano chair only on five of the eight pieces, recorded over a seven-year span in a ...
read moreJoe Chambers: Horace to Max
by Larry Reni Thomas
Drummer/vibraphonist/composer/educator Joe Chambers' Horace to Max is an awesome display of versatility and master musicianship; that's impossible to put away, it gets better with each listen. The distinctive blue-and-black colored cover design is similar to those fine Blue Note records of the 1960s and 1970s. The disc possesses a subtle suggestive theme that can only be described as plain old protest music, showing that times have not really changed; despite being written decades ago, the music's lyrics, meaning and intended ...
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