Jazz Articles about Jo-Yu Chen

About Jo-Yu Chen

Interview

Jo-Yu Chen: For Taiwanese Pianist Classical Jazz is a Gas

by Dean Nardi
April 13, 2026

It would be a mistake to say that a classical/jazz hybrid was devoid of interest with its reliance on centuries-old scores. Au contraire. Promise rewards outside of the normal range of expectations. On Rendezvous -Jazz Meets Beethoven, Tchaikovsky & More (Sony, 2025), Taiwanese pianist Jo-Yu Chen begins with a mash-up of two Beethoven classics: “Symphony No. 5" and the “Moonlight Sonata." Together they meet on a grand, increasingly intense scale. “Beethoven was a rock star in his era, with his powerful ...

Album Review

Jo-Yu Chen: Rendezvous - Jazz Meets Beethoven, Tchaikovsky & More

Read "Rendezvous - Jazz Meets Beethoven, Tchaikovsky & More" reviewed by Frank Housh

by Frank Housh
May 21, 2025

New York-based pianist and composer Jo-Yu Chen treats the great composers like most jazz musicians treat the Great American Songbook: a familiar musical foundation upon which to build a musical style. Chen trained at Juilliard but was seduced by jazz's siren song. Her first four albums: Obsession (Sony Music, 2011), Incomplete Soul (Sony Music, 2012), Stranger (Sony Music, 2014) and Savage Beauty (Sony Music, 2019) featured her compositions before she engaged the classical canon with Schubert & Mozart: ...

Album Review

Jo-Yu Chen: Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More

Read "Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More" reviewed by Dan McClenaghan

by Dan McClenaghan
May 12, 2025

Pianist Jo-Yu Chen's artistic mission can be described in her words: “When the music is right, it brings us back to the true essence of music, beyond labels and boundaries." But a discussion of labels and boundaries is necessary when addressing her album Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More. First, some background: Chen has established a top-level jazz career since moving from her native Taiwan to New York City at age 16 to study at ...

Album Review

Jo-Yu Chen: Savage Beauty

Read "Savage Beauty" reviewed by Angelo Leonardi

by Angelo Leonardi
October 11, 2019

La brava pianista taiwanese allieva di Kenny Barron e Jason Moran è tornata a incidere dopo quattro anni di silenzio, confermando il suo valore e le linee di fondo della sua estetica. Anche in quest'album Jo-Yu Chen aggiunge al suo stabile trio un ospite (Mark Turner prende il posto di Kurt Rosenwinkel) e conferma la co-produzione con Aaron Parks. Una piccola sorpresa viene dal look trendy e un po' sexy che la pianista mostra nelle foto in copertina ...

Album Review

Jo-Yu Chen: Savage Beauty

Read "Savage Beauty" reviewed by Dan McClenaghan

by Dan McClenaghan
May 13, 2019

The cover art of pianist Jo-Yu Chen's fourth album, Savage Beauty, is provocative and beautiful. So is the music. There is a sense of a “stepping up of the game," in terms of public persona and artistry. Chen has always taken the physical product—the hard copy of her CDs—seriously, beginning with her debut, Obsession (Sony Music Taiwan, 2009), through Incomplete Soul (Sony Music, 2012), then Stranger (Okeh, 2014). On Savage Beauty she embraces an over-the-top glamor mode in this regard, ...

Album Review

Jo-Yu Chen: Stranger

Read "Stranger" reviewed by Angelo Leonardi

by Angelo Leonardi
July 14, 2014

Messasi in luce qualche anno fa con due ricercati lavori in piano trio per la Sony Music (Obsession e My Incomplete Soul) la pianista taiwanese Jo-Yu Chen, allieva di Kenny Barron, Jason Moran e Sam Yahel, pubblica il suo terzo disco confermando i partner ed entrando nella sussidiaria Okeh, storica etichetta molto attenta ai giovani talenti. Questo lavoro conferma il tocco limpido, il fraseggio cantabile, la sapienza armonica e l'attenzione della pianista per raffinati equilibri sonori ma ...

Album Review

Jo-Yu Chen: Stranger

Read "Stranger" reviewed by Dan Bilawsky

by Dan Bilawsky
June 20, 2014

The title of pianist Jo-Yu Chen's third album refers to strangers of two different sorts: those who were once strangers but became part of Chen's life, and those who took the reverse course. Chen notes that as a Taiwanese artist living in New York, she's often felt like a stranger herself. That may be the case, but her music never betrays that fact; she plays like an insider looking out, not the other way around. Stranger finds ...