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Cecil Taylor: The Complete, Legendary, Live Return Concert

by Mike Jurkovic
If the title alone The Complete, Legendary, Live Return Concert doesn't blow out those flu-like post-holiday cobwebs in a big hurry, the full, near ninety minute assault on all that was and is holy damn well will. Couple the jittery anticipation of NYC's Town Hall audience pushing up against the cool onstage élan of alto saxophonist Jimmy Lyons, percussionist Andrew Cyrille and bassist Sirone aka Norris Jones and the air in the hall is highly, nervously charged, all of them ...
Continue ReadingCecil Taylor: Mixed to Unit Structures Revisited

by Chris May
This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than usually deep impression on him. One of those Hutchings chose was Cecil Taylor's Silent Tongues: Live At Montreux '74 (Freedom, 1975). This ...
Continue ReadingCecil Taylor: Mixed to Unit Structures Revisited

by Giuseppe Segala
La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani Pots," Bulbs" e Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into the Hot, a nome di Gil Evans. I successivi quattro pezzi costituivano il disco Unit Structures, siglato originariamente da Blue Note. ...
Continue ReadingCecil Taylor: Mixed To Unit Structures Revisited

by Mark Corroto
A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcriptionnot the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, might be best grasped as one might attend to the oxymoronic genre noise music. If you are still reading, allow an explanation. ...
Continue ReadingJimmy Lyons & Sunny Murray Trio: Jump Up

by AAJ Italy Staff
Jump Up è un magnifico esempio di energia e di forza espressiva. Registrato il 30 agosto del 1980 al festival di Willisau, originariamente venne pubblicato su vinile nel 1981. Siamo lontani dalla stagione in cui la coppia Lyons - Murray suonava in trio con Cecil Taylor (e, assieme a Taylor, suonò anche con Albert Ayler, a Copenaghen nel novembre del '62). Ci troviamo, invece, alla vigilia di un decennio politicamente e sociologicamente orientato al riflusso e decisamente critico nella storia ...
Continue ReadingJimmy Lyons & Sunny Murray Trio: Jump Up

by Glenn Astarita
Renowned Cecil Taylor trio alumni, alto saxophonist Jimmy Lyons and drummer Sunny Murray reunited in Switzerland and summoned young bass wunderkind John Lindberg for a tour de force captured live at Jazz Festival Willisau in August, 1980. Reissued and remastered, this release highlights the band's unbridled energy and resounding clarity, abetted by the crystalline audio. It sounds like it's fresh out of the box, featuring Lyons operating in tenth gear with his radical free-bop stylizations, paving the way for future ...
Continue ReadingThe Emergence of Jimmy Lyons

by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing assertiveness and an often stunning beauty. This past spring, Jimmy's first record under his leadership, Other Afternoons on the French BYG ...
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