Jazz Articles about Jimmy Lyons

About Jimmy Lyons

Album Review

Cecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit

Read "Live At Fat Tuesday's February 9, 1980 First Visit" reviewed by Giuseppe Segala

by Giuseppe Segala
October 24, 2024

Nel periodo di passaggio tra gli anni Settanta e Ottanta, Cecil Taylor è stato oggetto di numerose attenzioni da parte di etichette europee, che ne hanno lodevolmente documentato esibizioni dal vivo assai significative. Tra queste, alcune presentano la formazione Unit in differenti organici strumentali, che esprimono con dovizia un momento di impeto formidabile e di incredibile intesa creativa. Ne sono esempio le registrazioni in Germania del giugno 1978 Live in the Black Forest e One Too Many Salty Swift and ...

Album Review

Cecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit

Read "Live At Fat Tuesday's February 9, 1980 First Visit" reviewed by John Eyles

by John Eyles
June 15, 2024

For some years, Werner X. Uehlinger's Ezz-thetics label has been bringing smiles to the faces of countless lovers of free jazz by re-releasing albums featuring such luminaries as Albert Ayler, John Coltrane, Bill Evans, Jimmy Giuffre, Sun Ra, Cecil Taylor (to name but a few of many) all with state-of-the-art sound quality. The label's distinctive orange lettering over black and white period images of the featured artists has made its albums instantly recognisable. Until now. The current album has blue ...

Album Review

Cecil Taylor Unit: Live At Fat Tuesday's February 9,1980 First Visit

Read "Live At Fat Tuesday's February 9,1980 First Visit" reviewed by Chris May

by Chris May
April 30, 2024

More faux-intellectual codswallop has been written about Cecil Taylor than about any other jazz musician, dead or alive. He has been, and continues to be, misrepresented as an arcane Einsteinian theorist by a cult whose members are afraid of visceral reactions to his art (or to anyone else's). But Taylor's work demands a visceral response. It has nothing to do with rational thought and everything to do with emotion and physicality. Sadly, the nonsense that has been written about his ...

Album Review

Albert Ayler: More Lost Performances Revisited

Read "More Lost Performances Revisited" reviewed by Chris May

by Chris May
November 15, 2023

A state-of-the-art sonic restoration of obscure but historically important Albert Ayler material by Switzerland's ezz-thetics label, which with its parent label, Hat Hut, has been creating an audiophile archive of Ayler recordings with the support of his estate since 1978. All too often, “more" in an album title means “Beware: barrel scraping in progress." Not in this case. More Lost Performances Revisited is primetime Ayler. The disc draws from three sources over a five-year timespan. The earliest ...

Album Review

Cecil Taylor: With (Exit) To Student Studies Revisited

Read "With (Exit) To Student Studies Revisited" reviewed by Mark Corroto

by Mark Corroto
August 16, 2022

Documenting the evolution of Cecil Taylor is an undertaking that is way beyond the pay grade of most listeners. Just as in the study of homo sapiens (yes, us) where there is no critical moment (the missing link) that we can definitely pinpoint where our ancestors established language, art and importantly, abstract thought, Taylor's music can be thought of in similar terms. Obviously his approach didn't emerge fully formed. Or did it? No, that is an irrational thought, but a ...

Album Review

Cecil Taylor: The Complete, Legendary, Live Return Concert

Read "The Complete, Legendary, Live Return Concert" reviewed by Mike Jurkovic

by Mike Jurkovic
January 20, 2022

If the title alone The Complete, Legendary, Live Return Concert doesn't blow out those flu-like post-holiday cobwebs in a big hurry, the full, near ninety minute assault on all that was and is holy damn well will. Couple the jittery anticipation of NYC's Town Hall audience pushing up against the cool onstage élan of alto saxophonist Jimmy Lyons, percussionist Andrew Cyrille and bassist Sirone aka Norris Jones and the air in the hall is highly, nervously charged, all of them ...

Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Chris May

by Chris May
June 22, 2021

This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than usually deep impression on him. One of those Hutchings chose was Cecil Taylor's Silent Tongues: Live At Montreux '74 (Freedom, 1975). “This ...