Home » Jazz Articles » Jim Rotondi
Jazz Articles about Jim Rotondi
One For All: Big George
by C. Andrew Hovan
The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the beginning of 1987. The Broadway club would eventually become home of Smoke, one of the gems of the city's jazz scene and continued purveyor ...
Continue ReadingOne for All: Big George
by Joshua Weiner
Smoke Sessions Records, based out of NYC's Smoke Jazz Club, has a fascinating recording model: artists play a few nights at the club, take a day off, and then go into a studio such as the famous Sear Sound to record their repertoire for release. They been putting out some excellent material, the latest of which is the first album in seven years from the sextet One for All. The title, Big George, reveals what sets this one apart from ...
Continue ReadingJim Rotondi: Finesse
by Jack Bowers
Finesse is trumpeter Jim Rotondi's ninth recording as a leader but his first using a full orchestra including strings. The band and string section are from Austria, where Rotondi presently lives, performs, and teaches, and each one is quite good. As for Rotondi, besides playing superb trumpet--open or muted--he wrote every song on the album save for two brief “introductory" pieces by Jakob Helling who was the arranger on every number. As if that many instruments weren't ...
Continue ReadingOne For All: Blueslike
by C. Andrew Hovan
As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although the hard bop collective One For Allhas forged a shared identity through regular gigs and a growing catalog of recordings for several labels, including ...
Continue ReadingOne For All: Live at Smoke Vol.1
by C. Andrew Hovan
Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of One For All's musical fortunes as heard in the same venue that fostered the ensemble's very formation. Back in the mid-'80s, drummer Joe Farnsworth, ...
Continue ReadingMike DiRubbo: Human Spirit
by C. Andrew Hovan
In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto horn as his main axe, although his sound and approach seems heavily rooted in the conventions of the tenor and its many historic practitioners. ...
Continue ReadingJim Rotondi: Dark Blue
by C. Andrew Hovan
Back in 1997 when Introducing Jim Rotondi announced that a major new trumpeter star was on the ascent, few could have predicted how important and prolific Rotondi would become to the mainstream landscape. A foremost stylist in the lineage of Freddie Hubbard and Wood Shaw, Rotondi quickly proved he had absorbed the legacy, only to jettison imitation in favor of innovation. Working regularly with his own groups and the hard bop ensemble One For All, Rotondi was a major force ...
Continue Reading
