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Jazz Articles about Jim Hall

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Extended Analysis

The Jim Hall Quartet: Live at Birdland

Read "The Jim Hall Quartet: Live at Birdland" reviewed by Victor Verney


Guitarist Jim Hall, now in his eighth decade, continues to be a vigorous performer, fresh-minded arranger and creative composer. He's been around so long, and done so much, that it's humbling to try writing something fresh about him: there is little to say that hasn't already been said, and in many cases quite eloquently. A Google search turns up a lengthy list of well-chosen adjectives: subtle, fluid, daring, poetic, empathetic, graceful, economical, experimental, intuitive, inquisitive. Many reviewers ...

Album Review

Jim Hall - Joey Baron: Conversations

Read "Conversations" reviewed by AAJ Italy Staff


Magnifici gli 80 anni di Jim Hall, indomito nel proporre musiche audaci, lontane dai clichè. In Conversations coinvolge l'amico e partner Joey Baron per un'esplorazione assai sofisticata della formula corde e percussioni. Chi frequenta la musica di Hall sa che il chitarrista predilige i toni sfuggenti, allusivi, rifiutando a priori l'enfasi e i toni declamatori. Anche a costo di apparire talvolta distaccato, privo di quel calore espressivo richiesto ad un performer. Ma Hall cattura progressivamente, dall'alto di una sapienza armonica ...

317
Album Review

Jim Hall: Concierto

Read "Concierto" reviewed by John Kelman


Amongst the many CTI classics of the 1970s, few stand the test of time as well as guitarist Jim Hall's Concierto, an ambitious album that, in its original form, married one side of modern mainstream with a second taken up by a 19-minute version of Joaquin Rodrigo's 1939 piece for classical guitar and orchestra, “Concierto de Aranjuez." That Miles Davis and Gil Evans had already delivered what was considered the definitive jazz adaptation on the trumpeter's 1960 classic, Sketches of ...

273
Album Review

Jim Hall & Joey Baron: Conversations

Read "Conversations" reviewed by Dan Bilawsky


The art of the duo is nothing new to guitar legend Jim Hall. His one-on-one encounters with bassist Ron Carter have been wowing jazz fans for decades. More recent mano a mano musical encounters with equally sublime artists, like pianist Geoffrey Keezer, and guitarist Bill Frisell, have produced works that challenge but, ultimately, remain largely listenable. Conversations--Hall's studio encounter with drummer Joey Baron--ultimately, falls into the same general category. The fifteen tracks here are an odd, yet endearing, mishmash of ...

1
Album Review

Jim Hall - Bill Frisell: Hemispheres

Read "Hemispheres" reviewed by AAJ Italy Staff


Per Jim Hall quello del duo è stato un formato musicale praticato assiduamente negli anni, anche se quasi mai con altri chitarristi, ma preferendo generalmente pianisti e contrabbassisti (memorabili gli incontri con Bill Evans e Ron Carter). Solo in anni recenti ha cominciato a frequentare altri specialisti della sei corde, dapprima timidamente (nell'album Dialogues con Bill Frisell e Mike Stern, con la presenza di una sezione ritmica), poi sempre più decisamente, realizzando un intero CD in duo con Pat Metheny, ...

813
Interview

All About Jazz Reader Q&A: Jim Hall

Read "All About Jazz Reader Q&A: Jim Hall" reviewed by AAJ Staff


This article first appeared in November 1998. Questions were gathered from All About Jazz Bulletin Board members. From: Ken Brown Did you or do you now have a daily structure to your guitar practice? If so, how do you structure the different possible topics?

JH: My practice --since time is limited--is usually very specific (e.g. the pieces I'm currently performing), and includes “speed improvement" and “ear-stretching" stuff--whatever that means to you.

From: Ken ...

1,104
Interview

Jim Hall: The Elegant Guitarist

Read "Jim Hall: The Elegant Guitarist" reviewed by R.J. DeLuke


There's good news and better news for the many fans of guitar great Jim Hall--counted among them a number of established guitarists who are, themselves, eminent. It would be hard to find a guitarist who doesn't look up to Hall and whose playing has not been influenced by him in some way. Players relish Hall's rich sound--the interesting melodic and harmonic ideas, the way he lets music breathe, the phrasing. The good news is that his most recent recording, the ...


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