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6

Album Review

Didier Lockwood: Storyboard (Vinyl Reissue)

Read "Storyboard (Vinyl Reissue)" reviewed by Artur Moral

by Artur Moral

You might sometimes wonder about the usefulness of reissues--and all the more so in these times when many past gems, though physically unobtainable, are just a click away on the various content platforms. Setting aside die-hard audiophiles, tactile purists and compulsive completists, the truth is that these new pressings represent a golden opportunity for those unfamiliar with the original albums to discover them in all their voluptuous vintage tangibility. And for those who have already savored them, there is that ...

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6

Album Review

Clarence Penn: Behind the Voice

Read "Behind the Voice" reviewed by Dan Bilawsky

by Dan Bilawsky

Drummer Clarence Penn, a serious force on the scene for more than three decades, has worked with a who's who of vocalists--Betty Carter, Kandace Springs, Luciana Souza, Kate McGarry, Nellie McKay, Claudia Acuña, Paula Cole, Melissa Walker and Nneena Freelon, to name just a few. He knows more than a thing or two about history and creativity behind the voice, and he's here to show it with this sharply-constructed date. Working with a stacked lineup of singers and instrumentalists, and ...

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3

Album Review

JD Walter: What the World Needs Now

Read "What the World Needs Now" reviewed by Pierre Giroux

by Pierre Giroux

JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...

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2

Liner Notes

Ryan Kisor: Power Source

Read "Ryan Kisor: Power Source" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through the following year, but it might have been a slight case of a bit too much too soon. It seemed as quickly as his ...

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4

Liner Notes

David Kikoski: Surf's Up

Read "David Kikoski: Surf's Up" reviewed by C. Andrew Hovan

by C. Andrew Hovan

It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift to popular material of the current set with some interesting results. Pianist Kenny Barron has recorded a delicate version of Sting's “Fragile," Bob Belden ...

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4

Liner Notes

Conrad Herwig: Land of Shadow

Read "Conrad Herwig: Land of Shadow" reviewed by C. Andrew Hovan

by C. Andrew Hovan

In the spirit of Miles Davis and a select number of his followers, Conrad Herwig in the course of his musical endeavors spanning some 20 years has strived to keep the music inching forward to new and previously undiscovered vistas. His versatility as demonstrated by an ability to transcend genres, be it Eddie Palmieri's Afro-Cuban muse or the repertory bent of the Mingus Big Band, also raises its head in his outstanding series of Criss Cross recordings that began with ...

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31

Album Review

Oz Noy: Snapdragon

Read "Snapdragon" reviewed by Mike Jacobs

by Mike Jacobs

It's an old sentiment but it still holds that great instrumental chops, enthralling as they may be, are fairly meaningless on their own. And quite frankly, they are pretty ubiquitous these days with the internet exposure machine going full tilt. Given all that, it's quite easy for the listener to become inured with technical prowess-- especially wizardry of the fretboard. So to say Oz Noy is a fantastic guitarist just isn't enough anymore. It's fortunate then that what ...

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