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Clarence Penn: Behind the Voice
by Dan Bilawsky
Drummer Clarence Penn, a serious force on the scene for more than three decades, has worked with a who's who of vocalists--Betty Carter, Kandace Springs, Luciana Souza, Kate McGarry, Nellie McKay, Claudia Acuña, Paula Cole, Melissa Walker and Nneena Freelon, to name just a few. He knows more than a thing or two about history and creativity behind the voice, and he's here to show it with this sharply-constructed date. Working with a stacked lineup of singers and instrumentalists, and ...
Continue ReadingJD Walter: What the World Needs Now
by Pierre Giroux
JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...
Continue ReadingRyan Kisor: Power Source
by C. Andrew Hovan
Taking full advantage of what might be termed his “second wind," Ryan Kisor has grown into one of the most mature trumpeters of his generation. Back in 1990 when he impressed his elders by taking the prize at the Thelonious Monk Institute trumpet competition, things appeared promising and a major record label deal even came through the following year, but it might have been a slight case of a bit too much too soon. It seemed as quickly as his ...
Continue ReadingDavid Kikoski: Surf's Up
by C. Andrew Hovan
It seems that the show tunes of the '30s, '40s, and '50s have served as fodder for several generations of jazz musicians, either providing their own melodies for subsequent development or lending their harmonic framework for the jazz writer to use as a basis for an original tune. Most recently, we've seen attention begin to shift to popular material of the current set with some interesting results. Pianist Kenny Barron has recorded a delicate version of Sting's “Fragile," Bob Belden ...
Continue ReadingConrad Herwig: Land of Shadow
by C. Andrew Hovan
In the spirit of Miles Davis and a select number of his followers, Conrad Herwig in the course of his musical endeavors spanning some 20 years has strived to keep the music inching forward to new and previously undiscovered vistas. His versatility as demonstrated by an ability to transcend genres, be it Eddie Palmieri's Afro-Cuban muse or the repertory bent of the Mingus Big Band, also raises its head in his outstanding series of Criss Cross recordings that began with ...
Continue ReadingOz Noy: Snapdragon
by Mike Jacobs
It's an old sentiment but it still holds that great instrumental chops, enthralling as they may be, are fairly meaningless on their own. And quite frankly, they are pretty ubiquitous these days with the internet exposure machine going full tilt. Given all that, it's quite easy for the listener to become inured with technical prowess-- especially wizardry of the fretboard. So to say Oz Noy is a fantastic guitarist just isn't enough anymore. It's fortunate then that what ...
Continue ReadingLuba Mason: Triangle
by Jim Worsley
The rather smarmy “Bach, Stevie Wonder, and Janette Monae" opens this live performance. While disconcerting, the tide shifts dramatically with The Beatles' John Lennon-Paul McCartney classic “Ticket to Ride." It is reimagined in a sultry and just short of brilliant manner. Luba Mason's vocal phrasing brings an entire new essence to this tune. Bassist James Genus plays a line throughout which is a slow groove with a lot of feeling. Vibraphonist Joe Locke solos in spectacular fashion, while percussionist Samuel ...
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