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Jazz Articles about Jack DeJohnette


About Jack DeJohnette

25

Multiple Reviews

New, Notable and Nearly Missed

Read "New, Notable and Nearly Missed" reviewed by Phil Barnes

by Phil Barnes

One of the great pleasures of the holiday season is taking stock of the last 12 months, comparing notes with friends, investigating their recommendations and catching up with some of those releases that you never quite got round to. The falling cost of an independent release has meant that it is easier than ever for a musician to get their work out there, but probably the hardest it has been to get any meaningful attention from a fragmented media. All ...

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5

Live Review

Jack DeJohnette at the Byrdcliffe Barn, Woodstock, N.Y

Read "Jack DeJohnette at the Byrdcliffe Barn, Woodstock, N.Y" reviewed by Peter Occhiogrosso

by Peter Occhiogrosso

Jack DeJohnette Byrdcliffe Barn Woodstock, NY August 13, 2016 When the lights went out, the power came on. Drummer Jack DeJohnette was scheduled to give a solo piano concert at the Byrdcliffe Barn--a century-old wooden structure-turned-concert venue--that had been part of the original Byrdcliffe Arts Colony in Woodstock, N.Y.--but ten minutes before show time, following an ear-splitting crack like a boxful of M-80s exploding at once, the barn was flooded ...

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Album Review

Jack DeJohnette, Ravi Coltrane, Matthew Garrison: In Movement

Read "In Movement" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Due figli d'arte con una pesante eredità sulle spalle ed un maestro che ha attraversato in prima fila le vicende della musica afroamericana degli ultimi cinquant'anni. È il trio che dà vita a In Movement, la solita produzione ECM tra stupore e orticaria. Tre musicisti che si mettono in gioco, perché se di nome fai Coltrane o Garrison non puoi far finta di niente. In Movement è tutto tranne che il tentativo di rievocare il passato attraverso ...

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14

Album Review

Jack DeJohnette: Return

Read "Return" reviewed by Karl Ackermann

by Karl Ackermann

The only thing that Jack DeJohnette seems to have forgotten in his maturing years, is that, by the law of nature, he is supposed to be slowing down. Instead, as the composer/multi-instrumentalist heads toward his mid-seventies, he is as productive as he has ever been in his long, celebrated career. His releases over the past twelve months, include In Movement (ECM, 2016), a probing trio collection with saxophonist Ravi Coltrane and bassist/electronic artist Matthew Garrison, the raucous quintet outing Made ...

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29

Album Review

Jack DeJohnette/Ravi Coltrane/Matthew Garrison: In Movement

Read "In Movement" reviewed by Karl Ackermann

by Karl Ackermann

There is something of the “six degrees of separation" theory at work in this newly formed trio, led loosely, by the great Jack DeJohnette. The drummer/multi-instrumentalist works in the company of saxophonist Ravi Coltrane whose lineage is well known, and bassist/electronic artist Matthew Garrison whose father Jimmy Garrison was the bassist in John Coltrane's classic quartet. And, of course, DeJohnette, early in his career, played with the fathers of both of his trio mates. In Movement opens ...

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20

Multiple Reviews

Carla Bley & Jack DeJohnette: ECM Trios

Read "Carla Bley & Jack DeJohnette: ECM Trios" reviewed by Mark Sullivan

by Mark Sullivan

Two different approaches to the trio, led by veteran ECM bandleaders. Big band composer/pianist Carla Bley continues her recent run of chamber ensemble recordings, reconvening her trio with saxophonist Andy Sheppard and bassist Steve Swallow, most recently heard on Trios (ECM, 2013). The grouping gives much more focus on her piano playing than her large group projects, where she was composer first, accompanist (and soloist) second. Drummer/composer Jack DeJohnette introduces a new trio with saxophonist Ravi Coltrane and electric bassist ...

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36

Album Review

Bill Evans with Eddie Gomez and Jack DeJohnette: Some Other Time: The Lost Session From the Black Forest

Read "Some Other Time: The Lost Session From the Black Forest" reviewed by Karl Ackermann

by Karl Ackermann

It plays out like a tale of espionage. In Bremen, Germany, more than five-thousand miles from his Los Angeles home, American producer Zev Feldman, has a chance meeting with the son of a late German jazz producer. In a parking lot, the German plays a single track of music on his car stereo; a forgotten recording from tapes almost fifty years old. Feldman, upon hearing more of the tapes, decides he needs to get this out to the world. It ...

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