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About Gui Duvignau

9

Album Review

ContraPunctus: ContraPunctus

Read "ContraPunctus" reviewed by Bret McCabe

by Bret McCabe

The New York quartet ContraPunctus eases into the third track on its 2026 self-titled debut with about 15 seconds of musical suggestion. Bassist Gui Duvignau and drummer Hamir Atwal respond to pianist Carmen Staaf's gentle Fender Rhodes melody with a tempo that starts at a comfortable clip. Staaf eloquently establishes the melody in the next few seconds--Juan Tizol and Duke Ellington's “Caravan"--that clarinetist Mike McGinnis picks up and continues. McGinnis and Staaf trade the tune's theme as the quartet establishes an elastic, rollicking synergy. ...

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8

Album Review

Gui Duvignau: Baden

Read "Baden" reviewed by Dan Bilawsky

by Dan Bilawsky

Gui Duvignau has had Baden Powell's sound in his sights for some time now. Born in France and raised in Brazil, the rising-star bassist delved deeply into that legendary Brazilian guitarist's work at the behest of several six-stringer friends. And as he studied guitar too, Duvignau came under the sway of Powell's advanced harmonic concepts, personalized technique and keen ability to skirt easy categorization by blending classical stylings, jazz sensibilities and a broad mixture of Brazilian traditions. Having then performed ...

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20

Album Review

Gui Duvignau: 3,5,8

Read "3,5,8" reviewed by Glenn Astarita

by Glenn Astarita

As a youngster, French bassist Gui Duvignau was exposed to several disparate cultures and musical forms thanks to his adventure seeking parents' relocations to Morocco, Brazil, Portugal and back to Paris before landing in Boston, MA., to attend the Berklee School of Music, and subsequently ending up in New York City. Duvignau advises that in his early musical endeavors he found rock music less challenging than jazz. Hence, on this effort with well-known jazz warriors, saxophonist Billy Drewes and drummer ...

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