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Jazz Articles about George Garzone
Gaia Wilmer, Ra Kalam Bob Moses: Dancing with Elephants
by Angelo Leonardi
Questa collaborazione tra la sassofonista e compositrice Gaia Wilmer e il batterista/bandleader Bob Moses, è stata progettata dieci anni fa, quando i due si sono incontrati al New England Conservatory, nei ruoli di allieva e docente. Il giudizio che Moses esprime in copertina sulle doti di scrittura di Gaia può apparire eccessivo (la paragona a Charles Mingus, Hermeto Pascoal, Gil Evans, Maria Schneider, Michael Gibbs) ma basta ascoltare il suo ultimo album orchestrale (Folia, Sunnyside 2023) per capire ...
Continue ReadingSpike Wilner Trio Contrafactus: The Children & The Warlock
by Jack Bowers
A parodist might quip that Trio Contrafactus is simply another name for a quartet, as that is what pianist and entreprenuer Spike Wilner is leading on his new recording, The Children & the Warlock, wherein Wilner and his rhythm section (Paul Gill, bass; Anthony Pinciotti, drums) are flanked by renowned tenor saxophonist George Garzone. Wilner writes that the album is a tribute to one of his teachers, the late pianist and composer Harry Whitaker, who wrote its ...
Continue ReadingClaire Daly: VuVu for Frances
by Jack Bowers
Claire Daly, whose gruff yet eloquent baritone sax has brightened the New York scene for almost four decades, reunites with acclaimed tenor saxophonist George Garzone on Daly's seventh album as leader, VuVu for Frances, whose honoree is Frances Ballantyne, described by Daly as “a profound influence on [her] life" and “a consummate New Yorker." Daly and Garzone last recorded together in 1999, on Garzione's Moodiology (NYC), and Father Time hasn't caused either of them to lose so much as a ...
Continue ReadingClaire Daly (with George Garzone): VuVu for Frances
by Troy Dostert
Working jazz musicians have long been accustomed to the necessity of playing just about anything, in any setting, and Claire Daly is no exception. The intrepid baritone saxophonist has recorded tributes to Thelonious Monk and Rahsaan Roland Kirk and, in 2016, she even offered a distinctive take on Motown classics with 2468 West Grand Boulevard (Glass Beach Jazz). With the enviable versatility on her formidable horn which has brought her consistent acclaim, she now turns to more conventional jazz fare, ...
Continue ReadingFunkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...
Continue ReadingFrank Tiberi, Joe Lovano and George Garzone: Tiberian Mode
by Jim Worsley
While the three tenor saxophone soloists with piano, bass, and drums was already a proven sextet formula, the Tiberian Mode is one of vast reproportioning and accelerated creativity. Led by big band divinity Frank Tiberi and two of his disciples, George Garzone, and Joe Lovano, the project unleashes power, vigor, and contrasting jazz sensibilities. Attention is piqued even before listening when you learn that the first song is the first and last section of John Coltrane's “Giant Steps" ...
Continue ReadingJeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively have had an enormous effect on future generations of sax players. Consequently, they have left a significant and impactful mark on the sound of ...
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