Jazz Articles about George Garzone
About George Garzone
Instrument: Saxophone, tenor
Article Coverage | Calendar | Albums | Photos | Similar ArtistsClaire Daly (with George Garzone): VuVu for Frances
by Troy Dostert
Working jazz musicians have long been accustomed to the necessity of playing just about anything, in any setting, and Claire Daly is no exception. The intrepid baritone saxophonist has recorded tributes to Thelonious Monk and Rahsaan Roland Kirk and, in 2016, she even offered a distinctive take on Motown classics with 2468 West Grand Boulevard (Glass Beach Jazz). With the enviable versatility on her formidable horn which has brought her consistent acclaim, she now turns to more conventional jazz fare, ...
read moreFunkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...
read moreFrank Tiberi, Joe Lovano and George Garzone: Tiberian Mode
by Jim Worsley
While the three tenor saxophone soloists with piano, bass, and drums was already a proven sextet formula, the Tiberian Mode is one of vast reproportioning and accelerated creativity. Led by big band divinity Frank Tiberi and two of his disciples, George Garzone, and Joe Lovano, the project unleashes power, vigor, and contrasting jazz sensibilities. Attention is piqued even before listening when you learn that the first song is the first and last section of John Coltrane's “Giant Steps" ...
read moreJeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively have had an enormous effect on future generations of sax players. Consequently, they have left a significant and impactful mark on the sound of ...
read moreGeorge Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a century now. Although not as much of a household name outside of Boston, Garzone is nonetheless revered by jazz enthusiasts around the globe. Perhaps ...
read moreGarzone, Erskine, Pasqua, Oleskiewicz Live at Sam First
by Jim Worsley
The venue in which you see and hear a performance has always mattered. Perhaps much more so than most people realize or even think about. Acoustics, ambiance, and comfort have always been important. In recent years you see more and more listening rooms popping up. Why? Well, neither acoustics nor talented musicians making great music matter much if the sound of people chatting turns a quartet into an unwanted sextet. Fortunately, venues such as Sam First in Los Angeles have ...
read moreGeorge Garzone/Peter Erskine/Alan Pasqua/Darek Oles: 3 Nights in L.A.
by Jim Worsley
Any jazz cat will tell you that the art of improvising is the primary contributing factor in what sets jazz apart from other genres. It is the artists' ability to continuously and freely explore a composition. As they expand the notes and the feel, they expand and open our minds along with them. One of the finest examples of that process can be heard on 3 Nights in L.A.. Tenor saxophonist George Garzone, drummer Peter Erskine, pianist Alan ...
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