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Jazz Articles about Gary Bartz

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Live Review

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by Mackenzie Horne


Gary Bartz Liberty Avenue Stage Pittsburgh International Jazz Festival Pittsburgh, PA June 23, 2010 The 2019 Pittsburgh International Jazz Festival featured a heavyweight lineup of world-renowned saxophone players, including Charles Lloyd, Nubya Garcia, and Gary Bartz. Bartz was scheduled to perform selections from Bitches Brew and In a Silent Way on Sunday June 23 alongside Sean Jones on trumpet, Orrin Evans on acoustic piano and Fender Rhodes, Walter Barnes on bass, and Pittsburgh's own ...

1
Radio & Podcasts

Henry Butler, Ethel Ennis & More

Read "Henry Butler, Ethel Ennis & More" reviewed by Joe Dimino


Gary Bartz kicks off the 585th episode of Neon Jazz with Heavy Blue. From there, we profile cats who have been a part of his world and growth like Miles Davis and Charlie Parker. Then, we get into a host of new and old tracks from the likes of Quinsin Nachoff, Chet Baker, Iris Ornig and many more. We pay tribute to both Ethel Ennis and Henry Butler for their huge contributions to the world of jazz. Finally, we end ...

Album Review

Heads of State: Search for Peace

Read "Search for Peace" reviewed by Maurizio Zerbo


Un'ennesima proposta accattivante ci viene dalla label indipendente Smoke Records, grazie a questo splendido gruppo di “all stars." L'interplay è perfetto, forte di una più che quarantennale collaborazione che a vario titolo accomuna i quattro musicisti. Tutti ultrassantenni, Gary Bartz e compagni affrontano questa cavalcata tra gli standard con disinvolta naturalezza, che consente di infondere nell'ascoltatore una goduriosa sensazione di benessere. Forti di una strabiliante tecnica, gli assoli proposti divengono il ludico pretesto per divagazioni sontuose intorno al songbook jazzistico. ...

17
Jazz Ed

Gary Bartz: Students Are Learning But They Are Learning Backwards!

Read "Gary Bartz: Students Are Learning But They Are Learning Backwards!" reviewed by Joan Gaylord


"This is folk music. It is good that we have it in the schools, but we need to get it back more into the street--that's where it came from." When saxophonist Gary Bartz is not headlining his own band or touring with McCoy Tyner, he is a professor in the Jazz Studies department of the Oberlin Conservatory of Music. His students are among the most talented and best prepared musicians of their generation. However, Bartz is convinced ...

140
Album Review

McCoy Tyner: McCoy Tyner: Extensions

Read "McCoy Tyner: Extensions" reviewed by Chris May


Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's “classic quartet," of which Tyner was a member from 1960-65, and the other in the astral jazz ...

2
Album Review

Gary Bartz: Anthology

Read "Anthology" reviewed by AAJ Italy Staff


Non è infrequente nella storia del jazz che ci siano delle figure di grande interesse, che raggiungono anche un buon successo e di cui poi ci si dimentica, un po' inspiegabilmente, con troppa fretta. Il sassofonista Gary Bartz rientra certamente in questa sfortunata cerchia: dopo i primi passi alla metà degli anni Sessanta, con Max Roach e con Art Blakey & The Jazz Messengers, si è fatto notare nel gruppo di McCoy Tyner e accanto a Miles Davis. Da questo ...

314
Album Review

Chip White: Harlem Sunset

Read "Harlem Sunset" reviewed by Nic Jones


Chip White has a hell of a band here, but the fact that he provided it with almost an entire programme of stimulating material is what makes this a disc worth frequently returning to. Additionally, the quartet of White, Gary Bartz, Steve Nelson and Buster Williams offers such a captivating reading of “I Want To Talk About You" that the overall effect is one of enduring pleasure, and that's only enhanced by the presence of Claudio Roditi's “We (To Kristen ...


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