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Jazz Articles about Gary Bartz

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Album Review

Roseanna Vitro: Sing a Song of Bird

Read "Sing a Song of Bird" reviewed by Pierre Giroux


Roseanne Vitro is one of those jazz singers who falls into the category of “I recognize the voice, but I just can't seem to place her." She has more than a respectable discography which stretches back to 1982, when she released her debut album Listen Here for the Texas Rose label. Her fall 2021 album, Sing A Song Of Bird, is a combination of abundance of attitude and perseverance, since it is composed of two separate sessions (one recorded in ...

13
Album Review

Gary Bartz NTU Troop: Live In Bremen

Read "Live In Bremen" reviewed by Chris May


In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz was joined by tenor saxophonist Pharoah Sanders, trumpeter Charles Tolliver, pianist Stanley Cowell, bassist Reggie Workman and drummer Freddie Waits. Heavy company.

9
Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

Read "Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word" reviewed by Rob Garratt


It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one of them he's a fan of—for the word's pejorative roots as much as its genre pigeonholing. Which is why, as a quick-fast rule, it ...

1
Album Review

Gary Bartz and Maisha: Night Dreamer Direct-To-Disc Sessions

Read "Night Dreamer Direct-To-Disc Sessions" reviewed by Emmanuel Di Tommaso


La storia della collaborazione fra il leggendario Gary Bartz e il collettivo di spiritual jazz Maisha risale al 2019, quando il DJ e produttore Gilles Peterson invitò il veterano del sax contralto a suonare al We Out Here Festival di Londra supportato dal collettivo fondato dal batterista Jake Long. Quella prima esibizione andò così bene che Bartz e i Maisha cominciarono a suonare in tutta Europa. Nel mezzo del tour europeo decisero poi di fermarsi qualche giorno ad Amsterdam per ...

22
Album Review

Gary Bartz & Maisha: Night Dreamer Direct-To-Disc Sessions

Read "Night Dreamer Direct-To-Disc Sessions" reviewed by Chris May


This international spiritual-jazz jam promises much and delivers most of it. On the one hand, Gary Bartz, who is among the movement's American elder statesmen. On the other, Maisha, six young Londoners. The backstory: The wedding planner who brought the parties together is the London DJ and founder of Brownswood Recordings, Gilles Peterson. Brownswood released Maisha's debut album, There Is A Place, in 2018. In summer 2019, Peterson staged the inaugural We Out Here festival (now scheduled ...

1
Interview

Gary Bartz: Musica per espandere la propria mente

Read "Gary Bartz: Musica per espandere la propria mente" reviewed by Paolo Marra


Ci sono personaggi del jazz capaci di rappresentare un periodo storico ben preciso rievocandone in ogni loro performance le idee, le passioni e la filosofia del pensiero espresso. Uno di questi è il sassofonista statunitense Gary Bartz. Dopo aver fatto parte dei Jazz Messangers di Art Blakey e aver collaborato con il pianista McCoy Tyner nel suo decimo album Expansions (Blue Note, 1968), nel 1970 entra nella band di Miles Davis per la registrazione del seminale Live-Evil. Le ...

6
Catching Up With

Gary Bartz: Music For Expanding One's Own Mind

Read "Gary Bartz: Music For Expanding One's Own Mind" reviewed by Paolo Marra


Some jazz musicians are the embodiment of a specific historical period. Their performances conjure memories of the very ideals, passions, and philosophies that characterized an era. This is certainly true of American saxophonist Gary Bartz. After joining Art Blakey & the Jazz Messangers and collaborating with McCoy Tyner on the pianist's tenth album, Expansions (Blue Note, 1968), Bartz joined Miles Davis' band in 1970, playing an active role in recording the groundbreaking album Live-Evil (Columbia). Bartz's diverse musical ...


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