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McCoy Tyner / Freddie Hubbard Quartet: Live At Fabrik
by Chris May
Warning! Highly Flammable Material! This superb album, recorded in Hamburg in 1986 and never previously released, ought to come with a caution, so incendiary is it. Strictly speaking, Live At Fabrik presents pianist McCoy Tyner's trio with bassist Avery Sharpe and drummer Louis Hayes and guest artist Freddie Hubbard on trumpet and flugelhorn. In actuality, Hubbard's power-packed presence transforms the unit into a co-led quartet, as the cover art acknowledges. The 2 x CD album is, in ...
Continue Reading'70s sounds: Randy Weston, Freddie Hubbard + Goatface! and Ingebrigt Håker Flaten
by David Brown
This week, Scandinavian sounds from both Linda Fredriksson and Ingebrigt Håker Flaten, a slick '70s set from Randy Weston, Freddie Hubbard and Joe Henderson, then, a Latin groove takes over with Mongo Santamaria, Oscar Hernandez and more, and finally, zone out in Brazil with Goatface! Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. Playlist Linda Fredriksson ...
Continue ReadingFreddie Hubbard: Open Sesame
by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference is that Tone Poet has the more luxurious, heavyweight packaging. Whatever. It is the music that counts—and 22-year old Freddie Hubbard's 1960 label debut ...
Continue ReadingTina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
Continue ReadingHank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70
by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format only to find themselves on the brink of closing up shop. Fortunately, the powers that be have forged on and recent CD boxed sets ...
Continue ReadingFreddie Hubbard: At Onkel Pӧ's Carnegie Hall
by Stefano Merighi
Se si dovesse per gioco indicare un trombettista della storia del jazz che sintetizzasse tecnica strumentale, flessibilità espressiva, capacità mimetiche in relazione al contesto e ricchezza di curriculum forse la scelta cadrebbe su Freddie Hubbard. Il suo aplomb di giocatore era mirabile, valgano per tutte le sue apparizioni a fianco di John Coltrane, in Out to Lunch di Eric Dolphy, in Compulsion!!!!! di Andrew Hill. Come regista invece era ondivago, riuscendo ad inanellare imprese di vaglia ma anche accettando spesso ...
Continue ReadingTodd Barkan: Early days of Keystone Korner
by Todd Barkan
In the summer of 1972, at the age of 25, I was working by day as a Customs Broker for the venerable San Francisco firm of Hoyt, Shepston & Sciaroni, and by night as a jazz pianist and arranger for an Afro Cuban jazz band called Kwane and the Kwandito's, which played a lot of the repertoire of Mongo Santamaria, Cal Tjader, and Horace Silver five to six nights a week throughout the Bay Area. At the end ...
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