Jazz Articles about Etta Jones

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Holiday Music By Amanda McBroom, Joy Lapps, Margaret Slovak, Plus New Releases Diane Robin and Marina Albero

by Mary Foster Conklin
December 16, 2024

This broadcast includes holiday music from Amanda McBroom, Joy Lapps, Margaret Slovak & Chris Maresh, new releases from Diane Robin & Life Force and Marina Albero, with birthday shoutouts to Julieta Eugenio, Etta Jones, Amina Figarova, Cory Weeds, Melissa Aldana, Ragan Whiteside, Dave Brubeck, Aline Homzy and Cassandra Wilson. Happy listening and please support the artists you hear. See them live, purchase their music so they can continue to distract, comfort, provoke, inspire and remind the world that A Woman's ...

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Never Forget to Say Thank You

by Mary Foster Conklin
December 16, 2019

This week we feature Grammy nominees and finalists from the Hot House/Jazzmobile NYC Readers Jazz Awards, a new release from Alice Ricciardi and Pietro Lussu, plus birthday shout outs to June Christy, Hoagy Carmichael, Johnny Mandel, Etta Jones, pianist Geoffrey Keezer and Michelle Ann May of Musique Noire, among others. Playlist Musique Noire “Pretty Ugly" from Reflections We Breathe (Self released) 00:00 Catherine Russell “Early In the Morning" from Alone Together (Dot Time) 06:28 Carmen Lundy “Ola De ...

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Etta Jones: A Soulful Sunday - Live At The Left bank

by Angelo Leonardi
March 15, 2019

Pochi si ricordano di Etta Jones e qualcuno la confonderà con {Etta James}}. A dispetto delle alte doti tecniche e interpretative, la cantante non ha avuto i riconoscimenti che meritava. Cresciuta ad Harlem, debuttò negli anni '40 nelle serate per debuttanti dell'Apollo Theater, si fece le ossa con Pete Johnson, Barney Bigard ed Earl Hines, ottenne un improvviso successo nel 1960 con il brano “Don't Go To Strangers" e toccò la piena maturità alla fine dei settanta incidendo per la ...

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Etta Jones: Don't Go to Strangers

by Jim Santella
April 16, 2007

"Don't Go to Strangers was Etta Jones' trademark song. She could make any jazz standard come alive, though, and she did on this 1960 Prestige album with a line-up of jazz all-stars. Together, band and vocalist tell the stories with a genuine spirit. The sound is superb. Jones and the band are in sync, and the mood fits pure jazz like a glove.

Some readers are apt to confuse Etta Jones with Etta James. We remember Jones because ...

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Etta Jones: Don't Go To Strangers

by Samuel Chell
March 8, 2007

Etta Jones Don't Go To Strangers [Remastered RVG Edition] Prestige 2006

Mention Etta Jones to casual followers of the jazz vocal scene, and brace yourself for a quizzical expression in return. Or if the name produces a spark of recognition, wait long enough for the frequent retraction ("Oh, I thought you meant Etta James") before comparing notes. For an artist whose career spanned nearly sixty years and yielded no small number of memorable recordings, ...

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Remembering Etta Jones

by Mathew Bahl
February 21, 2007

There always seemed to be something indestructible about Etta Jones. You could hear it best on up-tempo tunes when she would swing with a joyful abandon and an almost godlike authority. But even when she sang the most tragic and heart wrenching of ballads--and she sang more than her share of tragic, heart wrenching ballads--Jones conveyed a resilient inner core. You knew that when the crying and heartache were over, she would pick up the pieces and move on. She ...

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Etta Jones: Hollar

by David Rickert
July 1, 2001

Etta Jones is one of many singers who find it hard to escape the large shadow cast by songbirds like Billie Holiday and Ella Fitzgerald, but still manage to create music filled with verve, grace, and sophistication. Hollar is an odd title for a record as subdued and mannered as this one is; Jones is much more silky and seductive than she is bellowing and boisterous. Essentially, this record is made up of three separate sessions, where Jones is mostly ...