Home » Jazz Articles » Espen Berg
Jazz Articles about Espen Berg
Trondheim Jazz Orchestra & Espen Berg: Maetrix
by Chris May
Lana and Lilly Wachowski's The Matrix (1999)--an inspiration for Norwegian pianist and composer Espen Berg's Maetrix--divides opinion. The movie is regarded by some, including one assumes Berg, as a prescient masterpiece addressing the existential threat posed to humanity by digital technology. Others say it is pretentious twaddle. No worries. Discord is unlikely to greet Maetrix. Berg's gift for writing good tunes is front and center, the toplines and soloists riding rhythmic platforms which are borderline reminiscent of ...
Continue ReadingEspen Berg: Water Fabric
by Chris May
The Norwegian pianist and composer Espen Berg has already carved out a formidable reputation with his trio. Earlier in 2023 he began a parallel strand with The Trondheim Concert (NXN), the recording of a wholly in-the-moment improvised solo concert, in the Keith Jarrett tradition, which he gave in 2019. Berg has since released two more albums in the same vein: The Nidaros Concert and The Hamar Concert (both NXN, 2023). Berg is also heard to advantage in ...
Continue ReadingAnders Lønne Grønseth & Multiverse: Inner View
by Chris May
Since George Russell published his influential Lydian Chromatic Concept Of Tonal Organization in 1953, other jazz musicians have attempted to reforge the theoretical construct of their music--with varying degrees of success and including some egregiously posturing examples of b.s. which bring to mind Hans Christian Andersen's salutary story The Emperor's New Clothes. One twenty-first century venture which authentically hits the mark is Israeli-born, New York-based tenor saxophonist Oded Tzur's Middle Path, his deft recalibration of microtonal Indian ...
Continue ReadingEspen Berg: The Trondheim Concert
by Chris May
The idea of free improvisation means different things to different people. For some it suggests the lineage that began with the so-called “energy players" of the late 1960s, musically untutored berserkers whose enthusiasm for Albert Ayler, John Coltrane and Pharoah Sanders inspired them to pick up a horn and play whatever notes fell at random under their fingers, typically at maximum volume. A possibly apocryphal story concerns one such energy player and New York City's Jazzmobile outreach ...
Continue ReadingEspen Berg Trio: Free To Play
by Chris May
If you ask a jazz fan to name the greatest piano-trio albums ever made, the probability is that their top twenty choices will include most, if not all, of the following: Erroll Garner's Concert By The Sea (Columbia, 1955), Ahmad Jamal's But Not For Me (Argo, 1958), Bill Evans's Sunday At The Village Vanguard (Riverside, 1961), Keith Jarrett's Standards Volume 2 (ECM, 1983) and Brad Mehldau's The Art Of The Trio Vol. 1 (Warner Bros., 1996), or in the cases ...
Continue ReadingKeith Jarrett & Vince Guaraldi
by Joe Dimino
During the penultimate episode of Neon Jazz during 2020, we continue to honor the voices of modern jazz. We start things off with a talented musician from Norway in Espen Berg. We also hear from Doug Carn of the 2020 Jazz is Dead series. We profile the busy and talented Kansas City saxophonist Rich Wheeler and wrap up the 680th Episode with Vince Guaraldi as the musical voice of the holiday season. Playlist Espen Berg Trio “Meanwhile in ...
Continue ReadingEspen Berg Trio: Bølge
by Gareth Thompson
The highest wave ever measured by a fixed installation hit a Norwegian gas transporter in the North Sea. The wave was marked at 25.6 metres high. Award-winning pianist Espen Berg would probably approve such statistics, having named his trio's second album Bølge--the Norwegian name for wave. Berg is also keen to point out the many levels that 'wave' can be perceived from, including the mathematical. None of which should imply that Bølge needs logical analysis. But it is ...
Continue Reading
