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Jazz Articles about Esbjorn Svensson


Album Review

Esbjörn Svensson: HOME.S.

Read "HOME.S." reviewed by Mike Jurkovic

Akin to when people first sat in elegant staterooms listening to Chopin, Mendelssohn, Mahler, or Erik Satie seek the muse, HOME.S stands as the first solo performance by the late Swedish pianist Esbjörn Svensson and will quite possibly be considered the grandest moment of any other forthcoming posthumous releases. Recorded mere weeks before the scuba diving accident that took him from his wife, two sons, and us in June of 2008, HOME.S creates that rare air of intimacy ...


Album Review

Esbjorn Svensson: HOME.S.

Read "HOME.S." reviewed by Geno Thackara

We've had a few from-the-vaults recordings worth celebrating since Esbjorn Svensson's sudden passing in mid-2008, but this long- belated discovery is a quiet surprise the music world could not have expected. There was the Esbjörn Svensson Trio (e.s.t.)'s final completed album Leukocyte (ACT Music) that same year, later followed by the equally exploratory 301 (ACT, 2012) which was compiled from the same sessions. A couple of posthumous live releases have further demonstrated how the trio's stylistic hodgepodge would appeal to ...


Album Review

Esbjorn Svensson: HOME.S.

Read "HOME.S." reviewed by Karl Ackermann

In 2022, it has been more than a decade since the influential Swedish pianist/composer Esbjörn Svensson passed. The measure of his impact can be calculated in the ongoing comparisons of up-and-coming piano trios to his groundbreaking Esbjörn Svensson Trio Trio. Several weeks before Svensson's untimely death his wife Eva heard him recording solo piano pieces in their home. She backed up his files for posterity but would not return to those recordings for more than ten years. She teamed up ...


Multiple Reviews

A World of Piano Trios II

Read "A World of Piano Trios II" reviewed by Mark Sullivan

Several parts of the world heard from in this installment: Sweden, Norway, France, and the United States. Esbjorn Svensson Trio (E.S.T.) e.s.t. live in Gothenburg ACT Music 2019 Before Swedish jazz pianist Esbjörn Svensson's untimely death in 2008, e.s.t. was a sensation. They brought an eclecticism and rock-like energy to piano trio music that continues to reverberate today in the music of groups like GoGo Penguin. This 2001 concert recording comes from ...


Album Review

Esbjörn Svensson Trio: e.s.t. live in Gothenburg

Read "e.s.t. live in Gothenburg" reviewed by Phillip Woolever

More than a decade after a tragic diving accident ended Swedish pianist Esbjorn Svensson's life and thus dissolved his renowned trio, the group remains a potent force in the world of popular jazz recordings. This digital document from a 2001 concert in Gothenburg seems certain to perpetuate that legacy. While much of this album is comprised of fairly standard piano-based aesthetics, the remarkable skills displayed by Svensson, drummer Magnus Ostrom and bassist Dan Berglund, in technical prowess and ...


Multiple Reviews

3x3: Piano Trios: October 2019

Read "3x3: Piano Trios: October 2019" reviewed by Geno Thackara

Esbjörn Svensson Trio Live in Gothenburg ACT Music 2019 At the time, it was a marvel. The Esbjorn Svensson Trio had already come a long way since their early-'90s beginnings in reshaping the already-skewed traditions of Monk-ian jazz. Their audiences back in 2001 would have been continually thrilled at discovering this fresh slant on the classic piano trio, bridging bop flair with hooks and grooves drawn from the modern rock and electronica scenes. Looking back ...


Album Review

Esbjorn Svensson Trio: e.s.t. live in london

Read "e.s.t. live in london" reviewed by Ian Patterson

Ten years on from the tragic death of Esbjörn Svensson, it's easy to forget just how ground-breaking e.s.t. was. Its seamless embrace of jazz, pop, rock and electronics aesthetics brought CD sales and a following more typical of successful pop acts. It was also the first European jazz band on the cover of Downbeat. Easy to forget, too, how influential the trio remains. Countless times, when a new a piano trio presents itself, the back-handed compliment is offered: 'Oh, they ...


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