Home » Jazz Articles » Eric Revis
Jazz Articles about Eric Revis
Thomas Marriott: Live From the Heat Dome
by Dan McClenaghan
Trumpeter Thomas Marriott settled into his groove on the Seattle-based Origin Records. He released more than a dozen discs under his own name there, including the gorgeous Romance Language (2020), a striking ballad set, and Trumpet Ship (2018), a high-energy bop workout. And then there was Crazy: The Music of Willie Nelson (Origin Records, 2008), described as having “a distinctly modern and often brash tone." And “Favoring some serious musical adventurousness." With Live From The Heat Dome that ...
Continue ReadingJohn Escreet: Seismic Shift
by Mark Corroto
John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his wide-ranging interests in creative music. He has recorded in both the acoustic and electric realms, performing on instruments including the harpsichord, synthesizers, Fender Rhodes ...
Continue ReadingJeff Parker / Eric Revis / Nasheet Waits: Eastside Romp
by Mark Corroto
If the answer on the television quiz show Jeopardy is: “Have not ever recorded together as a trio," you most probably would have never guessed the question, “What have Jeff Parker, Eric Revis, and Nasheet Waits never done?" Well, that is until now. Each musician has an impressive discography, with nearly 500 sessions in total between them. Just not together. Waits' drums and Revis' bass have graced the music of Orrin Evans and Armen Nalbandian's ensembles and also ...
Continue ReadingCaleb Wheeler Curtis: Heatmap
by Paul Rauch
It is mostly troublesome to make blanket assertions about jazz and the musicians that facilitate the art form. Such assertions are subjective at best, yet it would not seem unreasonable to assert that Caleb Wheeler Curtis is one of the more interesting alto saxophonists to emerge since 2000. His playing has a radiant, vocal quality to it, whether addressing strong melodies, or abstractions of the same. His approach is strong without being forced, and while his musical spirit has an ...
Continue ReadingEric Revis, Billy Higgins & Rob Scheps
by Joe Dimino
We begin the 696th Episode of Neon Jazz with bassist Eric Revis and a track from his 2020 release Slipknots Through a Looking Glass. We take a closer look at the musicians who made made 2020 a fantastic year for new jazz releases with Ron Miles, Jen Hodge and Ben Rosenblum. We also listen to a live recording by Portland-based saxophonist Rob Scheps. Enjoy the music, my friends. Playlist Eric Revis “Baby Renfro" Slipknots Through a Looking Glass ...
Continue ReadingTroy Dostert's Best Releases of 2020
by Troy Dostert
2020 will be remembered as a year of resilience. And surely a part of that story will be the fortitude displayed by musicians of all stripes, who have endeavored creatively to manage the challenges of a hollowed-out economy and a global pandemic with innovative business platforms and novel approaches to recording and content delivery. The jazz community certainly deserves kudos for rising to the occasion in these unprecedented times; each and every release of new music this year has been ...
Continue ReadingEric Revis: Slipknots Through a Looking Glass
by John Sharpe
On Slipknots Through a Looking Glass, bassist Eric Revis helms a five strong unit to experimental ends juxtaposing emotionally ambiguous abstraction with gut punch drive. To cover the bases he unites saxophonists Bill McHenry and Darius Jones from the quartet which waxed In Memory Of Things Yet Seen (Clean Feed, 2014), with the pianist Kris Davis from Sing Me Some Cry (Clean Feed, 2017), along with drummer Chad Taylor who powered both. Joining on two numbers out of 11 is ...
Continue Reading
