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Jazz Articles about Eric Alexander

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Liner Notes

David Hazeltine: Blues Quarters, Vol.2

Read "David Hazeltine: Blues Quarters, Vol.2" reviewed by C. Andrew Hovan


A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest incarnation is even better, imbued with a maturation and musical camaraderie that has further developed due to countless numbers of gigs undertaken in the ...

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Liner Notes

Anthony Wonsey: The Thang

Read "Anthony Wonsey: The Thang" reviewed by C. Andrew Hovan


Wisdom, it is often said, comes with age and experience. This axiom has special relevance for those who pursue excellence in the arts. Whether painters, dancers, or composers, the true creators have found that it takes time and patience to develop a singular voice. Youth seems to bring with it a desire to put technique at the fore, but those with more experience know that true originality starts when an artist utilizes his abilities to channel the spirit of the ...

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Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic


Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...

5
Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Pierre Giroux


There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians is exceedingly rare, primarily driven by cost issues, although availability of the musicians is also a limiting factor. Pianist & organist Mike LeDonne was ...

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Album Review

The Heavy Hitters: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Jack Bowers


The Heavy Hitters. Hyperbole? A matter of fact? Or simply the name given by co-leaders Mike LeDonne and Eric Alexander to their newly minted sextet. The third statement is true--but so is the second. From pianist LeDonne and tenor saxophonist Alexander to fellow front-liners Jeremy Pelt (trumpet) and Vincent Herring (alto sax) and the Washingtons, Peter on bass and Kenny at the drums, these gentlemen are by any measure heavy hitters. Their first album as a unit ...

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Album Review

The Heavy Hitters: Heavy Hitters

Read "Heavy Hitters" reviewed by Troy Dostert


The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound that LeDonne and partners are aiming for: in this case, that of the iconic Blue Note label's 1950s-60s period, when artists such as Freddie ...

11
Album Review

Michael Weiss: Persistence

Read "Persistence" reviewed by Edward Blanco


An in-demand veteran of the vibrant New York jazz scene since the '80s, pianist Michael Weiss presents the warm and engaging Persistence, his fifth as a leader and first on the Cellar Live label, as well as being his first since the critically acclaimed Soul Journey, (Sintra Records, 2003). The long time span between recordings, despite many other opportunities since then, was primarily due to the artistic and creative terms not being ideal enough until the Cellar Live proposal. One ...


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