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Robby Ameen: Live at the Poster Museum
by Jack Bowers
Unlike some drummer-led albums, wherein it is hard to determine who is actually piloting the ship, there are no doubts about who is in charge on Live at the Poster Museum--and that would be none other than Robby Ameen whose sharp and forceful timekeeping enlivens the heart and soul of every number, lending them a sizable measure of their exuberance and swagger. That is especially meaningful considering that Ameen is traveling in fast company, overseeing a burnished ...
Continue ReadingRobby Ameen: Live at the Poster Museum
by Paul Rauch
There are pluses and minuses to all recordings, the attributes stacking up like cordwood due to the virtuosity of the musicians, the compositional value of the tunes and the basic, primary aim of the leader. In this case, the leader, virtuoso drummer Robby Ameen, blurs the line between Afro-Caribbean rhythms and swinging post bop jazz. His music mentions in a way, that the divisions we may see between the different elements of the music that became modern jazz in New ...
Continue ReadingRobby Ameen: Diluvio
by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's “Line for Lyons" and John Coltrane's “Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio
by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
Continue ReadingJohn Bailey: Can You Imagine?
by Jack Bowers
Letting his imagination roam free, trumpeter John Bailey envisions a world in which one of his musical touchstones, trumpeter Dizzy Gillespie, is president of the United States--one in which Gillespie's cabinet includes Duke Ellington (secretary of state), Louis Armstrong (secretary of agriculture) and Miles Davis (CIA director). The fact is, Gillespie did “run" for president in 1964, a crusade that was far more satirical than serious. Nevertheless, as was his fashion, Gillespie milked his “candidacy" for all it was worth, ...
Continue ReadingJohn Bailey: Can You Imagine?
by Dan Bilawsky
The world loves a good “what if..." story, so why not explore the idea of Dizzy Gillespie as president? The famed trumpeter actually ran for the highest office in the land in 1964. And though the move was largely in jest, he didn't shy away from the issues of the day while campaigning. Sadly, many of the same problems that Gillespie explored still plague the United States, but trumpeter John Bailey doesn't get weighed down by that sobering sadness—or pure ...
Continue ReadingEdsel Gomez: Road to Udaipur
by Jack Bowers
Puerto Rican-born pianist Edsel Gomez hasn't recorded any albums as leader since his Grammy-nominated debut, Cubist Music, in 2007--he has been far too busy--but that doesn't mean he hasn't harbored such plans in the back of his mind. Now in his early 50s, Gomez decided the time was right to enter a studio again, the result of which is Road to Udaipur, a resplendent cornucopia of Latin-centered jazz that pays tacit homage to a pair of his mentors, Chick Corea ...
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