Jazz Articles about Dwight Trible

Dwight Trible: Mothership

by Chris May
March 6, 2019

The Beatles' Revolver (Parlophone, 1966), recorded while the band were out of their skulls on high-voltage lysergic acid diethylamide, was the first masterpiece of British psychedelic rock. One of the album's highlights, the sitar-drenched closing track, “Tomorrow Never Knows," still sounds potent enough to trigger a flashback. Remarkably, Dwight Trible's version of “Tomorrow Never Knows," on his spiritual-jazz opus Mothership, is at least as affecting, despite seemingly being recorded with one-tenth of the studio gizmos which producer George ...

Dwight Trible: Inspirations (featuring Matthew Halsall)

by Phil Barnes
June 26, 2017

Having worked with the likes of the Pharoah Sanders Quartet and Kamasi Washington the musical fit between Los Angeles native Dwight Trible and Manchester's Gondwana records should be self- evident. This album was conceived as a combination of joint favourites and spiritual jazz classics chosen by Trible and Gondwana label boss Matthew Halsall, after a couple of chance festival encounters and live guest spots. The band includes not only Halsall's own beautiful trumpet playing, but also several of Halsall's trusted ...

Dwight Trible: Pasadena, CA, August 11, 2012

by Chuck Koton
September 7, 2012

Dwight TribleBoston Court TheaterPasadena, CAAugust 11, 2012Unique: from the Latin unicus, denotes “one of a kind; being without equal." Its connotation, a bit less restrictive, expands the definition to include: rare and uncommon. Even with the significantly more liberal definitional range, “unique" remains one of the more egregiously abused words in modern American popular discourse. Everyone and everything these days seems to be “unique." Baz Luhrman has a “unique" cinematic vision (yeah, as in bloated ...

Dwight Trible: Living Water

by Rex Butters
May 10, 2004

Dwight Trible is a preacher, turning any material into a song of praise. Trible taps into the tradition of assigning lyrics to existing jazz standards, aligning himself with King Pleasure, Jon Hendricks, and Eddie Jefferson. He stands firmly in the jazz singer’s domain of delivering a song true to its story while composing variations on the tune as he goes.

On Trible’s new collection he arranges, produces, and writes lyrics to melodically and rhythmically challenging compositions. Take for instance the ...