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Jazz Articles about Duke Ellington

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Album Review

Duke Ellington: Duke Ellington In Coventry

Read "Duke Ellington In Coventry" reviewed by Chris Mosey


During World War Two, the Germans rained tons of high explosives, including parachute air-mines and incendiary petroleum mines on the English city of Coventry. In addition to factories supporting the British war effort, they destroyed the city's emblematic cathedral. Joseph Goebbels, Hitler's Minister of Propaganda, took to using “Coventry" as a synonym for mass destruction. Enemy cities would be “Coventried," Goebbels proclaimed. It was revealed after the war that Churchill had received advance warning of the blitz ...

Book Review

Raphael Confiant: Madame St-Clair

Read "Raphael Confiant: Madame St-Clair" reviewed by Maurizio Zerbo


Madame St-Clair, la regina di Harlem Raphaël Confiant 240 pagine ISBN: # 978-8862225663 Stampa Alternativa 2017 Pur non eguagliando i capolavori del genere, “Madame St-Clair" è un esito letterario ben fecondo dell'afrocentrismo contemporaneo. Ne è autore lo scrittore martinicano RaRaphaël Confiant, cantore dell'identità creola-antillana in stretto rapporto con il pensiero panafricano. Ispirandosi alle teorie dell'antropologo Melville Herskovits, Confiant recupera in chiave narrativa la tesi che la cultura degli afroamericani vada ricollegata alla madre ...

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Multiple Reviews

Duke Ellington on Storyville Records

Read "Duke Ellington on Storyville Records" reviewed by Chris Mosey


The legend of Duke Ellington--one of very few jazzmen worthy of the overworked accolade “genius"--continues to unfold four decades after his death. In large part this is thanks to the efforts of Ellington himself. From 1950 to 1974, he kept a private “stockpile" of recordings made for his own pleasure... and with an eye on posterity. Following his death on May 24th 1974, Duke's son Mercer donated this “stockpile" to Danish Radio. Since then ...

1
Album Review

Duke Ellington & His Orchestra: Rotterdam 1969

Read "Rotterdam 1969" reviewed by Jack Bowers


Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come Off the Veldt (and Into the Bush)," a showpiece for drummer Rufus Jones; alto Johnny Hodges' star turn, “Black Butterfly"; and trumpeter Cat Anderson's ...

21
Anatomy of a Standard

"Prelude to a Kiss" by Duke Ellington

Read ""Prelude to a Kiss" by Duke Ellington" reviewed by Tish Oney


Last month's initial installment of this column opened with an introduction to the concept of analyzing jazz standards for the purpose of adding to our understanding about the structure and elements of great songs having enduring qualities. I did not feel it required mentioning that a song's final structure and the process of songwriting were completely different viewpoints. One purview implies looking back at a final product of art and the other requires looking ahead at a blank page of ...

3
Book Review

Why Jazz? A Concise Guide

Read "Why Jazz? A Concise Guide" reviewed by Douglas Groothuis


Why Jazz? A Concise Guide Kevin Whitehead 184 pages ISBN-10: 0199731187 Oxford, University Press 2011 Small books on big themes are a tough gig. Jazz is a uniquely American, musically challenging, and highly improvisational musical form. Jazz is also a rather vexing topic to explain to the uninitiated (or even to the initiated, who quarrel much over it). Several years ago, I played some late-period work of John Coltrane (the first four ...

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What is Jazz?

How Teachers can Swing in the Classroom

Read "How Teachers can Swing in the Classroom" reviewed by Douglas Groothuis


I am a jazz aficionado as well as a philosophy professor. Being in front of a classroom teaching is my favorite place on earth, second to a good jazz club with hip friends. In the midst of a philosophy class, I may wax enthusiastic about the transcendent qualities of a John Coltrane saxophone solo or the preternatural swing of Buddy Rich's timekeeping or the song-writing and band-leading genius of Duke Ellington. These comments are not merely idiosyncratic. They reflect something ...


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