Jazz Articles about Dennis Irwin

like 1,528

Dennis Irwin: Respect the Tradition

by Lora Rosner
April 28, 2009

In March of 2008, the jazz world lost the irreplaceable Dennis Irwin, a bassist who was a remarkable musician; a beautiful person generous with his time and his heart; and a scholar and facilitator of musical experiences without equal. Since his passing there have been tributes to this world-class sideman, which enumerate the details of his career. Not too many people know that Irwin began playing bass at 19, after years of classical clarinet and playing drums in marching bands ...

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Pete Mills: Art and Architecture

by Jerry D'Souza
December 7, 2004

If there is one defining aspect about Pete Mills, it is his ability to pave a path that is in direct communication with his listeners. Though he often shows a big, brawny disposition, he never overplays his hand. And while there is turmoil and a roiling heat as he takes the high post-bop road, he also showcases a softer side with ballads that shimmer and glow in the emotional nest he builds for them.

Mills plays surprise to ...

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Scott Hamilton and Harry Allen: Heavy Juice

by Ken Franckling
December 5, 2004

This CD has been a recording waiting to happen for twenty years. Back then, highschooler Harry Allen joined Scott Hamilton on stage at the Newport Jazz Festival for a cameo performance with the George Wein-led Newport All-Stars. Allen grew up in Rhode Island, which also claims Hamilton as a native son. And Hamilton certainly was a role model as Allen blossomed then—and fast became a welcome young player on the New York swing jazz scene.They've had occasional chances ...

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Pete Mills: Art and Architecture

by Jim Santella
September 11, 2004

Straight-ahead jazz combines pleasant memories with fresh energy when it's created by a unit such as Pete Mills' quintet. His lovely tenor saxophone tone soothes while it cascades around the room. The session remains peaceful and quiet throughout. Mills stretches out on up-tempo romps and lays back casually for lyrical ballads.

With the pared-down backing of just bass and drums, he delivers “In Walked Bud" with a bounce. Careful to keep the tempo in the moderate range, he ...

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Pete Mills: Art and Architecture

by Dan McClenaghan
August 23, 2004

It's nice to hear a mainstream set hit the ground running like this. Saxophonist Pete Mills opens his Art and Architecture with the frictionless propulsion of “Dot Com," a tune that zips forward on the rhythm section momentum of a sleek monorail riding a cushion of magnetism, on a workout that lets you know that straight ahead jazz is alive and well, juiced up even, in the hands of a younger generation.This is only Mills' second CD as ...

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Scott Hamilton & Harry Allen: Heavy Juice

by John Kelman
July 12, 2004

Strangely enough, recordings pairing tenor players are not unusual. Sonny Rollins did it with John Coltrane on Tenor Madness ; more recently Joe Lovano with Joshua Redman on Tenor Legacy ; even Chris Potter did it with Joe Lovano on a few tracks on Vertigo. Why this particular variation of saxophone is more conducive to teaming up is a mystery, but it always seems to work. Now Scott Hamilton has come together with next generationer Harry Allen for Heavy Juice ...

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Tardo Hammer: Tardo's Tempo

by David A. Orthmann
May 14, 2004

Tardo Hammer Tardo’s Tempo Sharp Nine

In tandem with bassist Dennis Irwin and drummer Jimmy Wormworth, Tardo Hammer carves out his own space in the bebop tradition—once again, proving that accomplished musicians still have a lot to say while mining established styles. The pianist doesn’t mess with the bebop blueprint; rather, he excels at executing its fundamental elements. The material on “Tardo’s Tempo” is a carefully selected mixture of selections from the American Popular Songbook, a ...