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Jazz Articles about Dave Miller

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Album Review

Christian Dillingham: Cascades

Read "Cascades" reviewed by Hrayr Attarian


Chicago bassist Christian Dillingham is a truly versatile musician. In addition to excelling at various genres, including jazz, western classical and gospel, he appeared on singer Kirk Franklin's Grammy winner Long Live Love (RCA 2019). Dillingham is also an accomplished educator, composer and bandleader. He demonstrates these skills as he leads his quartet on his debut Cascades, a cohesive and original work which is intense, thought-provoking, and soulful. A dramatic ambiance permeates the captivating “South State Line Road"; ...

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Album Review

Arman Sangalang: Quartet

Read "Quartet" reviewed by Jack Bowers


Chicago-based tenor saxophonist Arman Sangalang, still in his mid-20s, makes his recording debut with Quartet, wherein his talented four-member ensemble uses delicate textures and shadings in lieu of heated fire and brimstone to amplify its even-tempered musical purpose. That was clearly Sangalang's idea, as he wrote all save one of the album's ten by and large tranquil themes (chaperoning the lone standard, Johnny Burke and Jimmy Van Heusen's “Polka Dots and Moonbeams"). Sangalang's unaccompanied intro to that ...

1
Album Review

Rebecca DuMaine: Someday, Something

Read "Someday, Something" reviewed by Richard J Salvucci


It is odd that Rebecca DuMaine should have chosen “Alone Again (Naturally)" to decorate a pandemic-influenced recording. Quite a few musicians have, almost perforce, referred to the circumstances of the Covid months, but this song can be oddly compelling for someone who remembers the contrasting emotional environment in which it was recorded in 1972. It was about personal loss, and powerfully so, but certainly not about widespread disappearances, a modern version of a plague year. DuMaine's matter-of-fact delivery here is ...

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Album Review

Dave Miller: Old Door Phantoms

Read "Old Door Phantoms" reviewed by Glenn Astarita


Guitarist Dave Miller has been all over the jazz, rock and improvisational map, performing with the progressive rock band Algernon and stints with Ted Sirota's Rebel Souls amid collaborations with many artists for numerous record labels. However, Old Door Phantoms is Miller's his first solo outing, where he draws upon numerous jazz, pop and rock influences. It's an explosive set recorded at famed producer Steve Albini's Chicago studio, Electrical Audio. According to the press release, [the audio] “has ...

1
Album Review

Lena Bloch: Feathery

Read "Feathery" reviewed by Alberto Bazzurro


Moscovita di nascita ma giramondo per natura dopo un primo trasferimento alla volta di Israele datato 1990, Lena Bloch è una solida tenorista formatasi studiando, fra gli altri, con Yusef Lateef, Joe Lovano e in fondo più di tutti Lee Konitz, che l'ha introdotta all'estetica tristaniana, forgiando per sempre il suo linguaggio (e la sua pronuncia, la sua sonorità), che si avverte oggi inequivocabilmente imparentato con quello del grande Warne Marsh. Per questo che risulta essere il ...

4
Album Review

Lena Bloch: Feathery

Read "Feathery" reviewed by Hrayr Attarian


Saxophonist Lena Bloch's Feathery is a cerebral album laced with a mature, tender passion. It is also a collaborative effort with her sidemen contributing to the creative process democratically while maintaining their individuality.Drummer Billy Mintz's thunderous beats and crashing cymbals set an expectant and dramatic mood on Guitarist Dave Miller's solemn and ethereal “Rubato." Miller's haunting almost baroque explorations add a mystical touch while bassist Cameron Brown's bowed and reverberating strings maintain the western classical sensibility while meandering ...

5
Album Review

Lena Bloch: Feathery

Read "Feathery" reviewed by Dan McClenaghan


Russian-born tenor saxophonist Lena Bloch carries a cool burning torch for the music of saxophonist Warne Marsh and the Lennie Tristano school of jazz. For Feathery, her debut CD as a leader, Bloch has assembled a quartet that can rival the loose and interactive and spontaneous ensembles of alto saxophonist Lee Konitz--a Tristano acolyte and Bloch's friend and mentor. Like the marvelous Konitz outing, Live at Birdland (ECM Record, 2011), where the saxophonist was joined by top notch ...


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