Jazz Articles about Dave Douglas

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Dave Douglas & Brass Ecstasy: Spirit Moves

by John Kelman
June 9, 2009

With his post-Milesian quintet now in its eighth year and his electronica-informed Keystone group in its fourth, anyone familiar with trumpeter Dave Douglas knows that it's about time for something different. With a line-up that puts a new twist on an old concept, Spirit Moves is Douglas at his funnest. With nothing but horns and drums, it's a clear nod to the New Orleans brass band tradition, but featuring trumpet, trombone, French Horn and tuba, it possesses its own complexion ...

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Dave Douglas & Keystone: Live at Jazz Standard

by Ted Gordon
March 20, 2009

In 1961, Bob Thiele set up a portable reel-to-reel tape recorder at the Village Vanguard to record John Coltrane's quintet. Though there was no official plan for releasing the tapes, Thiele knew that recording every single night of these performances had to be done. The resulting release proves his historical foresight. In 2006, Greenleaf music took up a similar project in recording and releasing over 22 hours of the Dave Douglas Quintet live at Jazz Standard. And two years later, ...

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Dave Douglas' Fetish Busting Greenleaf Digital Music Experience

by Mark Corroto
January 26, 2009

The assignment was simple enough. I was to listen online to trumpet and cornet player Dave Douglas' recordings Quintet: Live at the Jazz Standard and Keystone Live at the Jazz Standard at GreenleafMusic.com, and write about them. So why hadn't I touched the play button nearly three weeks after receiving the music?

Sure, sometimes a jazz writer gets a new disc, say Joe The Plumber Sings Sinatra, and he/she might put it on the top of a stack ...

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Dave Douglas and Keystone: Moonshine

by Matthew Miller
August 30, 2008

Dave Douglas is not your typical iconoclast. The progressive trumpeter--a mainstay of John Zorn's Masada and more typically avant-garde groups--favors an understated upheaval in his efforts as a leader, courting, in the words of writer Andy Battaglia “tradition and progression without puzzling over the difference." On Moonshine, his second album with Keystone, a sextet featuring Marcus Strickland (saxophone), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums) and DJ Olive (turntables and laptop), Douglas once again focuses his modernist ...

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Dave Douglas & Keystone: Moonshine

by AAJ Italy Staff
June 23, 2008

Originariamente concepito come progetto di sonorizzazione dei film dello sfortunato comico degli anni Venti, Roscoe “Fatty" Arbuckle [clicca qui per leggere la recensione del disco di esordio di questa formazione], il sestetto Keystone del trombettista Dave Douglas ha da subito dato l'impressione di non essere una prova isolata, una semplice divagazione, ma di ampliare il percorso intrapreso con il quintetto “elettrico" [ormai strutturatosi in una sua, per quanto stimolante, classicità], dimostrandosi più aperto a influenze della natura più varia. Questa ...

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Live at Jazz Standard

by John Kelman
June 4, 2008

With the success of trumpeter Dave Douglas' twelve virtual CD collection of music from a six-night run at New York's Jazz Standard in December, 2006 with his longstanding Quintet--the download-only versions, representing twelve hours of music, ultimately distilled into the hard two-CD set, Live at the Jazz Standard (Greenleaf, 2007), that brought together all the Quintet's new music--it's no surprise that, when the veteran trumpeter took his Keystone group into the same venue in April, 2008, he'd do the same ...

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Dave Douglas & Keystone: Moonshine

by Mark F. Turner
May 29, 2008

As one of jazz's most omnivorous thinkers, trumpeter/composer Dave Douglas continues to explore ideas outside of the norm. Moonshine is a continuation with Keystone--an electric sextet that includes Marcus Strickland (saxophones), Adam Benjamin (Fender Rhodes), Brad Jones (bass), Gene Lake (drums), and DJ Olive (turntables)--exploring in music, the life and art of 1920s silent film actor/director Roscoe “Fatty" Arbuckle, whose career was abruptly ended when he was falsely accused of murder. Whether or not Douglas' odd juxtaposition ...