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Conrad Herwig: Obligation
by C. Andrew Hovan
Jazz fans tend to be fanatical about those artists that most directly speak to their own musical tastes. Over time, a sense of familiarity with the musical personalities of their iconic favorites becomes entrenched, followed by categorization based on style and genre. Those already familiar with Conrad Herwig's musical endeavors over the past 20 years are likely to speak to his great versatility, at home in both jazz and Afro-Cuban musical circles as he is in leading his own varied ...
Continue ReadingConrad Herwig: The Latin Side of Horace Silver
by Jack Bowers
New York-based trombonist Conrad Herwig began exploring the “Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...
Continue ReadingRobby Ameen: Diluvio
by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's “Line for Lyons" and John Coltrane's “Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio
by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
Continue ReadingConrad Herwig / Igor Butman: Reflections
by Andrew Luhn
"Tight" is the word that most readily comes to mind to describe this band's playing. For Reflections, his tenth release as a leader for the Dutch Criss Cross label, trombonist Conrad Herwig has joined forces with Russian tenor man Igor Butman as co-leader. Rounding out the front-line is trumpeter extraordinaire Alex Sipiagin, a name that will be very familiar to anyone who keeps up with Criss Cross releases. The music on this disc, beautifully recorded and mixed by Michael Marciano, ...
Continue ReadingConrad Herwig: The Latin Side Of Joe Henderson
by Dan Bilawsky
So what makes The Latin Side Of Joe Henderson different from trombonist Conrad Herwig's previous Latin Side albums? Well, for starters, Herwig played with Henderson for several years, an experience which gave him great insight into the music and the man who made it. Then there's the material itself. Henderson's music, more so than that of previous Latin Side honorees like Herbie Hancock or John Coltrane, is tailor-made for this type of project, as some of the songs already lean ...
Continue ReadingConrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of saxophonists John Coltrane, Wayne Shorter and Joe Henderson, but the same could be said about Herwig himself. He's one of the foremost jazz trombonists ...
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