Jazz Articles about Conrad Herwig
About Conrad Herwig
Instrument: Trombone
Article Coverage | Calendar | Albums | Photos | Similar ArtistsConrad Herwig: The Latin Side of Horace Silver
by Jack Bowers
New York-based trombonist Conrad Herwig began exploring the “Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...
read moreConrad Herwig / Igor Butman: Reflections
by Andrew Luhn
"Tight" is the word that most readily comes to mind to describe this band's playing. For Reflections, his tenth release as a leader for the Dutch Criss Cross label, trombonist Conrad Herwig has joined forces with Russian tenor man Igor Butman as co-leader. Rounding out the front-line is trumpeter extraordinaire Alex Sipiagin, a name that will be very familiar to anyone who keeps up with Criss Cross releases. The music on this disc, beautifully recorded and mixed by Michael Marciano, ...
read moreConrad Herwig: The Latin Side Of Joe Henderson
by Dan Bilawsky
So what makes The Latin Side Of Joe Henderson different from trombonist Conrad Herwig's previous Latin Side albums? Well, for starters, Herwig played with Henderson for several years, an experience which gave him great insight into the music and the man who made it. Then there's the material itself. Henderson's music, more so than that of previous Latin Side honorees like Herbie Hancock or John Coltrane, is tailor-made for this type of project, as some of the songs already lean ...
read moreConrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of saxophonists John Coltrane, Wayne Shorter and Joe Henderson, but the same could be said about Herwig himself. He's one of the foremost jazz trombonists ...
read moreConrad Herwig: New York City, NY, July 25, 2012
by Emilie Pons
Conrad Herwig QuintetThe Blue NoteNew York, NYJuly 25, 2012During the last week of July, 2012, at New York City's Blue Note club, trombonist Conrad Herwig performed with his quintet, also featuring trumpeter Alex Sipiagin, baritone saxophonist Ronnie Cuber, pianist Bill O'Connell, bassist Ruben Rodriguez, drummer Robby Ameen and conguero/percussionist Richie Flores. Herwig paid tribute to the sophisticated tenor saxophonist Joe Henderson, who passed in 2001.Henderson was one of Herwig's heroes, mentors and close ...
read moreConrad Herwig: The Latin Side of Herbie Hancock
by Chris M. Slawecki
Trombonist and bandleader Conrad Herwig has quite colorfully and majestically explored the Latin side of some of modern music's most enduring composers and performers, and herewith adds his survey of Herbie Hancock's compositional catalog to previous Latin sets that honored Miles Davis and Wayne Shorter. “It's a little daunting in the sense that these tunes are so iconic," Herwig admits. “I grew up idolizing Herbie's music. His tunes became the new standards for a whole generation of post-Coltrane players."
read moreConrad Herwig's Latin Side All Star Band: Intensity On A Cold City Night
by Robert Dugan
Conrad Herwig's Latin Side All Star BandThe Blue NoteNew York, New YorkJanuary 11, 2010“Que Viva Miles, 'Trane, Herbie & Wayne."For more than a decade, trombonist Conrad Herwig has created a highly identifiable niche in contemporary jazz with his series of Latin Side CDs, which began with the startling The Latin Side of John Coltrane (Astor Place, 1996). That Grammy-nominated recording revealed how naturally Coltrane compositions could be adapted to smartly appropriate Afro-Caribbean arrangements. ...
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