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About Christian Weber
Omri Ziegele Tomorrow Trio: All Those Yesterdays
by Mark Corroto
It's been more than twenty years since the world lost saxophonist Thomas Chapin. If you were to conduct a search like Tibetan Buddhists looking for the next incarnation of the Dalai Lama, the signs and symbols you would sift through are of course recordings. All Those Yesterdays may be all the proof one needs to adjudge Omri Ziegele the incarnation of Thomas Chapin. His music has the same joy and zestfulness, and it has been hiding in plain sight for ...
Continue ReadingChristian Weber: 3 Suits & a Violin
by Derek Taylor
One of the unwritten idiomatic tenets of a lot of electro-acoustic improv is the sublimation of the individual for the collective cause. In the process, the sounds of itemized and identifiable instruments are often replaced with more implicit textures and shapes. Bassist Christian Weber is adept at this strategy having worked with some of the leading luminaries of amplification-inclusive abstract improvisation like Günter Müller and Norbert Möslang. He's also versed in more jazz-grounded improvisation as evidenced by recent projects with ...
Continue ReadingChristian Weber: 3 Suits & A Violin
by Nic Jones
In his accompanying notes for 3 Suits & A Violin, Dean M. Roberts quite rightly refers to the fact that this music eschews formulaic approaches. It's equally true to say that another of its key elements is the sublimation of individual instrumental identity. For example Hans Koch's saxophones are at one and the same time not only conspicuous in the absence of their conventional sounds, but also arguably intrinsic to the realisation of Weber's ideas.
This all makes for music ...
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