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Jazz Articles about Charles Lloyd

Live Review

Umbria Jazz 2019 - Seconda parte

Read "Umbria Jazz 2019 - Seconda parte" reviewed by Libero Farnè


Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 Dopo aver affrontato nella prima parte della recensione un sintetico resoconto dei concerti svoltisi all'Arena Santa Giuliana e alla Sala Podiani della Galleria Nazionale dell'Umbria, prendiamo ora in considerazione alcuni degli appuntamenti tenutisi al Teatro Morlacchi, tutti di sicura valenza jazzistica; a cominciare dalla prova di Charles Lloyd, che a ottantuno anni non finisce ancora di sorprendere. Il sassofonista infatti ha rinunciato in buona parte a quella ...

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Live Review

Charles Lloyd & the Marvels with Lucinda Williams at Zellerbach Hall

Read "Charles Lloyd & the Marvels with Lucinda Williams at Zellerbach Hall" reviewed by Harry S. Pariser


Charles Lloyd & the Marvels with Lucinda Williams Zellerbach Hall Berkeley, CA December 6, 2018 It isn't often that a pedal steel guitar is found in a jazz ensemble. And it is even less frequent that a country music singer-songwriter joins one on vocals. But this iconoclastic collaboration had its genesis when jazz guitarist Bill Frisell teamed up with pedal steel player Greg Leisz. Leisz and Frisell invited Lucinda Williams to a Marvels concert, where ...

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Live Review

Charles Lloyd & The Marvels with Lucinda Williams at UMS

Read "Charles Lloyd & The Marvels with Lucinda Williams at UMS" reviewed by C. Andrew Hovan


Charles Lloyd and The Marvels with special guest Lucinda Williams Michigan Theater University Musical Society 25th Annual Jazz Series Ann Arbor, Michigan December 8, 2018 Memphis native Charles Lloyd has seen a lot in his eighty years on the planet. His own musical voyage is the stuff of legend and envy. Not many peers of his generation have been blessed with the kind of longevity and popularity that has come with Lloyd's undertakings. As ...

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Year in Review

Jerome Wilson's Best Releases Of 2018

Read "Jerome Wilson's Best Releases Of 2018" reviewed by Jerome Wilson


It may be unwieldy to keep a large jazz ensemble together for economic reasons but this year was still full of outstanding big band recordings, whether done through commissions, arrangers working with established orchestras or even actual working ensembles. Several of the releases on my list are examples of that. Also this year had the usual strong statements from younger, up-and-coming musicians as well as greybeards like Charles Lloyd and Wayne Shorter who proved that creative genius does not fade ...

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Album Review

Charles Lloyd: Love-In

Read "Love-In" reviewed by Chris May


Five decades after the event, Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, endures as much as an archaeological artefact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," “Temple Bells"), and the inclusion of Lennon & McCartney's “Here There and Everywhere," Love-In's semiology is a powerful reminder of the acid-drenched zeitgeist of the mid ...

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Live Review

Newport Jazz Festival 2018: Part 1-2

Read "Newport Jazz Festival 2018: Part 1-2" reviewed by Timothy J. O'Keefe


Part 1 | Part 2 Newport Jazz Festival Fort Adams State Park Newport, RI August 4, 2018 Raw, windswept notes comprised the abstract musical sketches that played beneath a darkening sky to open the 64th edition of the Newport Jazz Festival, presented by Natixis Investment Managers. With flashing fingers, Reggie Workman raked the strings of an upright bass, strumming chords that sang with percussive aggression. Sharp and biting, single notes rang on Oliver ...

Live Review

Charles Lloyd & The Marvels a Empoli Jazz

Read "Charles Lloyd & The Marvels a Empoli Jazz" reviewed by Neri Pollastri


Charles Lloyd & The Marvels Empoli Jazz 2018 Piazza Farina degli Uberti 9.7.2018 A ottant'anni suonati Charles Lloyd non ha perso né la voglia di suonare, né quella di divertirsi, e lo ha dimostrato per la data d'apertura di Empoli Jazz 2018, nel meraviglioso scenario di Piazza Farinata degli Uberti, ove il palco era stato allestito sul sagrato della Collegiata di Sant'Andrea. Alla testa del quartetto The Marvels, che include la ritmica che lo accompagna ...


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