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Jazz Articles about Charles Lloyd

132
Reassessing

Charles Lloyd Quartet: Love-In

Read "Charles Lloyd Quartet: Love-In" reviewed by Chris May


Charles Lloyd QuartetLove-InAtlantic1967 Four-and-a-half decades after the event, saxophonist Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, the counterculture's West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," “Temple Bells"), and the inclusion of John ...

187
Album Review

Charles Lloyd / Maria Farantouri: Athens Concert

Read "Athens Concert" reviewed by Ian Patterson


What might on the surface appear as a meeting of disparate minds--jazz with Byzantine airs--ignores the fact that multi-reed/woodwind player Charles Lloyd has been embracing the music of the world for half a century with singular conviction and grace. Greek classical singer Maria Farantouri is herself a musical adventurer and risk taker; over the course of fifty years, she has collaborated with guitarist John Williams, Turkish composer Zulfu Livaneli, Cuban guitarist/composer Leo Brouwer, electronic legend Vangelis and saxophonist Jan Garbarek. ...

206
Extended Analysis

Charles Lloyd / Maria Farantouri: Athens Concert

Read "Charles Lloyd / Maria Farantouri: Athens Concert" reviewed by John Kelman


When ECM enticed him back into action in 1989, who knew that reed/woodwind multi-instrumentalist Charles Lloyd's career wouldn't just kick-start, it would signal a period of ascendancy that's moved from one creative height to another ever since? Two decades later, his stable quartet of young Americans rivals the stellar group responsible for Atlantic megahits including 1966's Dream Weaver and 1968's Forest Flower. Blasphemous to some, perhaps, but Lloyd's so-called New Quartet--no longer exactly new, since pianist Jason Moran, joined existing ...

Album Review

Charles Lloyd Quartet: Mirror

Read "Mirror" reviewed by AAJ Italy Staff


Charles Lloyd è musicista che non deve dimostrare nulla a nessuno. Sta attraversando le vicende della musica afroamericana da più di cinquant'anni tra momenti di grande forza creativa e fasi più rilassate e convenzionali. E vanta diversi meriti tra cui quello di aver portato per primo in tournè in Europa un giovanissimo Keith Jarrett e di essere stato tra i primi a capire le grandi potenzialità della musica non occidentale, contribuendo a diffondere quella che poi sarebbe diventato etno-jazz. Quindi, ...

382
Extended Analysis

Charles Lloyd Quartet: Mirror

Read "Charles Lloyd Quartet: Mirror" reviewed by Jeff Dayton-Johnson


Charles Lloyd QuartetMirrorECM Records2010 Saxophonist Charles Lloyd's current artistic output is often depicted as a heartwarming comeback after years of silence. It is certainly true that his recent string of albums for ECM has brought him commercial and critical success even greater than the plaudits that attended his renowned, hippie-tinged 1960s quartet featuring pianist Keith Jarrett and drummer Jack DeJohnette. But this narrative interpretation is awkward, given that the “comeback," beginning in ...

151
Live Review

Charles Lloyd New Quartet: Los Angeles, California, September 25, 2010

Read "Charles Lloyd New Quartet: Los Angeles, California, September 25, 2010" reviewed by Greg Camphire


Charles Lloyd New QuartetNate Holden Performing Arts CenterLos Angeles, California, USASeptember 25, 2010 The audience at the Nate Holden Performing Arts Center in Los Angeles witnessed something akin to a Saturday night prayer service on September 25th, 2010. As Charles Lloyd led his New Quartet in support of their latest release, Mirror (ECM, 2010), the expansive set list drew on tunes from throughout Lloyd's long career. But the group dwelled fully in the present ...

725
Extended Analysis

Charles Lloyd Quartet: Mirror

Read "Charles Lloyd Quartet: Mirror" reviewed by Warren Allen


Charles Lloyd QuartetMirrorECM Records2010 The perception of Charles Lloyd has changed since he first rose to popularity as a 1960s-saxman, sporting flower power colors and a momentous afro, and was somehow tied to mainstream jazz, the avant-garde and the popular psychedelic movement. A brief recess from recording, during which he taught transcendental meditation, ended with his return to recording and performance in the 1980s, and subsequent transformation into one of today's ...


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