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Lena Bloch: Heart Knows
by Alberto Bazzurro
Sostituendo la chitarra di Dave Miller col pianoforte di Russ Lossing, Lena Bloch dà vita al suo secondo album, a tre anni da Feathery, che oggi dà il nome al suo stesso quartetto. Di quel lavoro, che l'aveva rivelata come una tenorista di bella presenza sonora, soprattutto ottima esponente di un jazz di mezzo molto ben strutturato, compositivamente sofisticato, questo nuovo capitolo, inciso in piena estate 2017, conferma ogni risultanza, compresa una sostanziale volontà di non tradire certi modelli, in ...
Continue ReadingLena Bloch & Feathery: Heart Knows
by Dan McClenaghan
Lena Bloch mocks the “sophomore jinx" myth with her second CD release, Heart Knows. The tenor saxophonist's debut, Feathery, drew a good deal of well-deserved praise. With her saxophone intertwined with a responsive guitar/bass/drums rhythm section, Bloch paid tribute--in part--to pianist Lennie Tristano, via her relationship with alto saxophonist Lee Konitz. On Heart Knows, Bloch moves along in the same loose groove, adding at times some flexible Middle-Eastern motifs, and stretching her own compositional skills to the highest limits, having ...
Continue ReadingLena Bloch: Feathery
by Alberto Bazzurro
Moscovita di nascita ma giramondo per natura dopo un primo trasferimento alla volta di Israele datato 1990, Lena Bloch è una solida tenorista formatasi studiando, fra gli altri, con Yusef Lateef, Joe Lovano e in fondo più di tutti Lee Konitz, che l'ha introdotta all'estetica tristaniana, forgiando per sempre il suo linguaggio (e la sua pronuncia, la sua sonorità), che si avverte oggi inequivocabilmente imparentato con quello del grande Warne Marsh. Per questo che risulta essere il ...
Continue ReadingLena Bloch: Feathery
by Hrayr Attarian
Saxophonist Lena Bloch's Feathery is a cerebral album laced with a mature, tender passion. It is also a collaborative effort with her sidemen contributing to the creative process democratically while maintaining their individuality.Drummer Billy Mintz's thunderous beats and crashing cymbals set an expectant and dramatic mood on Guitarist Dave Miller's solemn and ethereal “Rubato." Miller's haunting almost baroque explorations add a mystical touch while bassist Cameron Brown's bowed and reverberating strings maintain the western classical sensibility while meandering ...
Continue ReadingLena Bloch: Feathery
by Dan McClenaghan
Russian-born tenor saxophonist Lena Bloch carries a cool burning torch for the music of saxophonist Warne Marsh and the Lennie Tristano school of jazz. For Feathery, her debut CD as a leader, Bloch has assembled a quartet that can rival the loose and interactive and spontaneous ensembles of alto saxophonist Lee Konitz--a Tristano acolyte and Bloch's friend and mentor. Like the marvelous Konitz outing, Live at Birdland (ECM Record, 2011), where the saxophonist was joined by top notch ...
Continue ReadingLena Bloch: Feathery
by Jack Bowers
On one level, the Russian-born, New York-based tenor saxophonist Lena Bloch's debut album is like stepping into a time machine; on the other hand, one could argue that her approach to music in general and jazz in particular is timeless. Foremost among Bloch's influences are Lee Konitz, Warne Marsh and Lennie Tristano, and the mood on Feathery clearly reflects those associations. In fact, the word “feathery" could serve as an apt description of Bloch's style, which is for the most ...
Continue ReadingCameron Brown: Here and How! Volume 2!
by Florence Wetzel
Bassist Cameron Brown has had a long and illustrious career as a sideman. He has appeared on around 100 recordings, providing an anchor for luminaries such as Archie Shepp, Roswell Rudd and Beaver Harris, as well as the celebrated Don Pullen/George Adams Quartet. In 2003 Brown stepped out as a leader with Here and How!, culled from a 1997 Belgian tour with vocalist Sheila Jordan, trumpeter Dave Ballou, drummer Leon Parker, and legendary tenor saxophonist Dewey Redman guesting on three ...
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