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Jazz Articles about Bobby Bradford

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Profile

Bobby Bradford: Musician, Educator, Survivor

Read "Bobby Bradford: Musician, Educator, Survivor" reviewed by Daniel Graham


In 1991 the prolific saxophonist David Murray recorded Death Of A Sideman (DIW), an album that put a spotlight on the compositions of Mississippi born cornetist Bobby Bradford. A long time coming, Bradford's music was finally receiving the kind of recognition it deserved, and from one of jazz's biggest names. Murray had been a student of Bradford's back in 1974 at Pomona College in California, where the cornetist still teaches to this day. Bradford's story, however, started in earnest in ...

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Album Review

Bobby Bradford: Live At The Magic Triangle

Read "Live At The Magic Triangle" reviewed by John Sharpe


After the well-received Live At The Open Gate (NoBusiness, 2016), the arrival of a second outing for the front line of cornetist Bobby Bradford and saxophonist Hafez Modirzadeh doesn't come as a surprise. This time out, bassist Ken Filiano and drummer Royal Hartigan (who both feature on Modirzadeh's Post Chromodal Out! (Pi Recordings, 2012) replace Mark Dresser and Alex Cline respectively, maintaining cohesion built on the same high quality rapport. That it's a band with its own identity is confirmed ...

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Album Review

Bobby Bradford - Hafez Modirzadeh with Ken Filiano & Royal Hartigan: Live At The Magic Triangle

Read "Live At The Magic Triangle" reviewed by Glenn Astarita


Venerable West Coast-based trumpeter, cornetist and instructor, Bobby Bradford has carved out a big slice of modern jazz history due to his recordings and performances with iconic jazz artisans, reedmen Ornette Coleman, John Carter, Eric Dolphy and bassist Charlie Haden among other luminaries. On this superb release recorded at the University of Massachusetts as part of the Magical Triangle Jazz Series, he shares the billing with saxophonist, recording artist and leading-edge music theorist, Hafez Modirzadeh. With first-call support ...

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Album Review

Bobby Bradford/Hafez Modirzadeh/Mark Dresser/Alex Cline: Live At The Open Gate

Read "Live At The Open Gate" reviewed by John Sharpe


Veteran cornetist Bobby Bradford's penchant for conversational give and take in tandem with another horn is much in evidence on this 2013 live date from The Center for the Arts in Los Angeles. And in alto saxophonist Hafez Modirzadeh, a Professor of Creative/World Music at San Francisco State University, he has found a foil who at times recalls his erstwhile employer Ornette Coleman in his insouciant garrulousness and even evokes his elemental country blues wail. Vastly experienced bassist Mark Dresser ...

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Album Review

Bobby Bradford/Hafez Modirzadeh/Mark Dresser/Alex Cline: Live At The Open Gate

Read "Live At The Open Gate" reviewed by Mark Corroto


Live At The Open Gate by the quartet of Bobby Bradford, Hafez Modirzadeh, Mark Dresser, and Alex Cline shouts “West Coast" from the drop of the stylus on this, a limited edition (of 500) LP. It's not because the session is from Center for the Arts in Los Angeles 2013, it's because the inspiration here emanates from the West Coast revolution of Ornette Coleman. Before New York The Five Spot residency, Ornette's sea change in jazz began in ...

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Album Review

Bobby Bradford & John Carter Quintet: No U Turn: Live In Pasadena, 1975

Read "No U Turn: Live In Pasadena, 1975" reviewed by Mark Corroto


History, it is said, is written by the victors. With jazz history, the story is too often written by New Yorkers, or at least those east of the Mississippi. Listeners with inquisitive minds are required to dig deeper, into record bins and into interviews with musicians to learn about players that did not make New York their home. We are fortunate to have dedicated musicologists who find 'lost' recordings and make them available to fans. A fine example ...

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Live Review

Bradford-Gjerstad Quartet at Philadelphia Art Alliance

Read "Bradford-Gjerstad Quartet at Philadelphia Art Alliance" reviewed by Tyran Grillo


Bradford-Gjerstad Quartet Philadelphia Art Alliance Philadelphia, PA March 29, 2014 Pivot or persevere? It's a question that frames every moment of jazz performance and one that suffused the Philadelphia Art Alliance loft, where on a rainy Saturday cornetist Bobby Bradford, reedman Frode Gjerstad, bassist Ingebrigt Håker Flaten, and drummer Frank Rosaly cast their bones and divined whatever messages came spontaneously to mind. Under the auspices of the Ars Nova Workshop, which presents ...


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