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Jazz Articles about Bill Frisell

Album Review

Bill Frisell: All We Are Saying...

Read "All We Are Saying..." reviewed by AAJ Italy Staff


Tutto è cominciato a Parigi, nell'ottobre del 2005. Sbarcato in Europa con Jenny Scheinman e Greg Leisz per un lungo tour (due le date italiane: a Sacile prima, e a Roma poi), Bill Frisell approda alla Cité de la Musique nei giorni in cui si celebrano la vita e la musica di John Lennon con una serie di proiezioni, installazioni, concerti e una mostra. Niente di più naturale per gli organizzatori che chiedere al chitarrista di Baltimora di partecipare all'evento. ...

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Album Review

Bill Frisell: All We Are Saying...

Read "All We Are Saying..." reviewed by Ian Patterson


Thirty-one years after John Lennon's murder there's no sign of his influence waning. Guitarist Bill Frisell adds personal tribute to the singer/songwriter/activist on All We Are Saying..., the year after vigils and tribute concerts were held to honor Lennon's 70th birthday from Liverpool to New York and everywhere in between. In Iceland, Yoko Ono lit a tulip-shaped beacon of light in the memorial Imagine Peace Tower, which combined with the Northern Lights in spectacular tribute. Frisell's homage is, of course, ...

Album Review

Bill Frisell: Sign of Life

Read "Sign of Life" reviewed by AAJ Italy Staff


Nato nel 2001 per dar forma sonora ad un ciclo di quadri astratti dell'artista tedesco Gerhard Richter, 858 Quartet ha trovato successivamente una propria ragion d'essere ed una propria autonomia diventando un quartetto “tutto corde" grazie all'avvicendamento tra la tromba di Ron Miles e il violino di Jenny Scheinman. Tant'è che Bill Frisell, titolare del progetto, si è dedicato con entusiasmo a comporre in modo specifico per quella che lui stesso ama definire: “la mia string band da sogno". Prosegue ...

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Album Review

Bill Frisell: All We Are Saying...

Read "All We Are Saying..." reviewed by John Kelman


If there's any sign that Bill Frisell's move to Savoy was a good one, it's the release of All We Are Saying..., which makes three albums from the veteran guitarist in just thirteen months. Frisell left two decades at Nonesuch to be able to release more than one album a year, in order to keep up with a still-growing myriad of projects, and with this John Lennon tribute not even in the plans when Beautiful Dreamers was released, in August, ...

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Interview

Bill Frisell: The ECM Years

Read "Bill Frisell: The ECM Years" reviewed by John Kelman


Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in a career now in its fourth decade, but there's little doubt about the impact that one recording had for the guitarist, on a label ...

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Extended Analysis

Bill Frisell: Sign of Life - Music for 858 Quartet

Read "Bill Frisell: Sign of Life - Music for 858 Quartet" reviewed by John Kelman


Bill FrisellSign of Life: Music for 858 QuartetSavoy Jazz2011 Bill Frisell fans attending the 2010 Ottawa International Jazz Festival were given a rare opportunity to catch two groups, for whom the guitarist was planning releases in the coming months: his new Beautiful Dreamers trio, a couple months before the release of its eponymous debut; and his more longstanding 858 Quartet, a full ten months before the release of Sign of Life: ...

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Interview

Bill Frisell: Ramping It Up

Read "Bill Frisell: Ramping It Up" reviewed by John Kelman


It's always been a not-so-hidden truth, especially in the jazz world, that fans only get a small window into what their favorite artists are about. Artists' commercial releases--usually no more than one per year--rarely document the entirety of the various projects with which they're involved in the course of those 12 months. And when you're someone like guitarist Bill Frisell, who seems to be almost endlessly on the road with various permutations and combinations of the expanding cadre of musicians ...


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